STEADICAM STEADIMATE vs READY RIG: THE SHOWDOWN!

A side by side look at how the Steadicam Steadimate and the Cinemilled Ready Rig handle the 4th Axis of motion. STEADICAM STEADIMATE: https://amzn.to/3mqjvS6 STEADICAM STEADIMATE REVIEW:    • Steadicam Steadimate - Review   =========== BRYAN'S CUSTOM CANON R5/R6 CLOG LUTs: https://www.bryanredding.com/shop-1 CUSTOM DEAF DIRECTOR APPAREL: https://www.bryanredding.com/shop-1 =========== === WHAT I SHOOT MY YOUTUBE CHANNEL WITH === CANON R5: https://amzn.to/3fRhRI2 SMALLRIG CAGE FOR R5: https://amzn.to/3cYUBG0 SMALLRIG NATO TOP HANDLE: https://amzn.to/2Q4SLug PANASONIC GH5: https://amzn.to/3dArbx2 ATOMOS NINJA V: https://amzn.to/3dIfYL5 CANON 16-35mm/2.8: https://amzn.to/3wtMV6u FALCON EYES RX-24TDX: https://amzn.to/3fNQtL5 APUTURE 120D: https://amzn.to/2PIboV9 Chapters: 0:00 Introduction 0:16 Background of the Showdown 0:52 The 4th Axis Challenge 1:39 #1 Rule for Tests 2:11 Steadimate vs Ready Rig Showdown 6:07 Thoughts on the Showdown 7:11 Is the Steadicam Steadimate worth it? 7:22 Why I choose the Ready Rig 8:22 Final Thoughts If you're interested in contacting Bryan for work please email me at thedeafdirector@gmail.com Bryan Redding is an award-winning Cuban American Cinematographer and Director based in Athens, Georgia. He loves being on set and sharing his knowledge. In addition to his love of cinematography, Bryan has complete high range hearing loss which, according to his audiologist, leaves him functionally deaf in certain environments, hence making him the Deaf Director. This has not stopped Bryan from continuing his passion on set and behind the camera, and he uses his experience with his physical condition to propel his unique vision. #deafdirector