Part I Wim Winters: Metronome, Baroque and Classical era, Mozart, Beethoven, Moscheles

0:00-0:59 Intro 01:00 - What do we do wrong with the metronome? 01:45 - Metronome as "terrible hated device" 03:15 - Ilya about his experience with Metronome 04:30 - Confusion about metronome marks 05:00 - Czerny's tempo indications in op. 299 07:00 - Whole beat theory explained (answering the first question) 10:36 - Did classical composers play almost twice slower? 12:52 - Whole beat theory in two words 13:18 - Ilya: How people were understanding tempi before metronome invention 15:08 - Wim explains 18:50 - If the combination: Time Signature + Notes Values was so common and clear for musicians, why Bach was not hesitating to put Lento/Adagio in the slow movements of his works. 21:17 - Baroque Era: Conclusion 21:42 - Classical Era: Tempi Changes 23:27 - Mozart (The Music Books of Mozart and His Sister for Piano) 25:32 - Moscheles (The Key Person of XIX century) 29:55 - How the increase of speed has impacted the musical preferences of the public 30:49 - Why in the 1840s did the major composers stop playing concerts? 31:40 - Time when a performer, not necessarily a composer. 34:00 - Italian terms ("Allegro", "Adagio" e.t.c.) are gaining popularity. When and Why. 36:14 - "Fast" Italians. Scarlatti Vs Bach Vs Couperin 39:30 - Mozart's Concerto n.21. Performed the next day after completion. How? SECOND PART:    • Part II: WIM WINTERS-Metronome, Chopin, Li...   Wim's channel:    / authenticsound   Support us: https://www.paypal.com/paypalme/ftpia... Instagram:   / fedorovatakserpianoduo   Facebook:   / fedorovatakserpianoduo   website: https://www.fedorova-takser.com/