Coke Studio Bangla Season 3 - Ma Lo Ma Reaction | Pritom Hasan x Sagor Dewan ❤️🔥

This is a reaction video of Ma Lo Ma | Coke Studio Bangla | Season 3 | Pritom Hasan X Sagor Dewan X Arif Dewan X Aly Hasan from The Twin Reacts. #thetwinreacts #maloma #cokestudiobangla #pritomhasan #sagordewan #arifdewan #alyhasan #reactionvideo #reaction For Business: thetwinreacts@gmail.com Follow us on Instagram: https://www.instagram.com/thetwinreac... Follow us on X: https://x.com/thetwinreacts Credits:    • Ma Lo Ma | Coke Studio Bangla | Season 3 |...   #MALOMA embodies the realisation that life is a journey where the inevitability of adulting and nostalgia work as two sides of a coin. As we grow up, there comes a time echoing the question: "What am I doing here?" But within this very questioning lies the potential for a beautiful transformation, a self-acceptance that allows us to bloom even in the most demanding seasons. This folk fusion song serves as a conversation acknowledging this inevitable shift, using the metaphor of a broken boat symbolising life and a river symbolising the world. In addition, the song is infused with ‘Chaad Petano Gaan’ (Roofing Music by Masons), a form of ’Shaari Gaan’ (Music of the Boatmen and other worker groups) from the folk genre tracing back to the Mughal Era. An urban version of this was found among building masons around the 80s and 90s, who migrated to cities for livelihood and sang these verses while working to construct concrete roofs. The beats of the paddles, combined with the verses, break monotony, and create a festive atmosphere around their hard work. Pritom takes up the song, infusing his twist, alongside the duo from the Dewan family: Shagor Dewan and Arif Dewan, whose ancestor is the original writer of the song Ma Lo Ma Jhi Lo Jhi. Rapper Aly Hasan joins in and conveys his optimistic perception to create this #RealMagic. Together, it becomes a timeless tale of growth, adulthood, and the eternal quest for meaning in an ever-changing world. #CokeStudioBangla #BanglaMusic Curated & Produced by Shayan Chowdhury Arnob Music Composed, Arranged & Produced by ‪@PritomHasan‬ Ma Lo Ma Written by Md. Khalek Dewan (Another version of the song was penned by Baul Rashid Uddin, named Ma Go Ma) - https://tinyurl.com/2429zrhn Rap Written by Aly Hasan Kalir Noyon Jole collected folk song Chief Sound Engineer: Faizan R Ahmad (Buno) Mixed & Mastered by Pritom Hasan ARTISTS Pritom Hasan: Station, Guitar Shorfuddin Dewan (Sagor): Vocal Md. Arif Dewan: Vocal, Violin Aly Hasan: Rap Chad Petano Team: Sanda Rani Sarker, Md. Sokir Sheikh, Asa Rani, Sima Rani Kormoker, Padma Rani Sarker, Mukti Rani Sarker Jannatul Firdous Akbar: Vocal Shanta Islam: Vocal Samsan Rayna Ahmed: Vocal Md. Jalal Ahammad: Flute Pradyut Chatterjea: Keys Nafius Salam Yani: Guitar Jargon: Pad Mithun Das: Percussion Foysal Ahammed Tanim: Bass Shantanu: Hermonium Md. Razib: Ektara Md. Nazrul Islam: Dhol CREATIVE AGENCY: DOTBIRTH LIMITED Creative Producer: Syed Gousul Alam Shaon Project Lead: Jihad Bin Tahzeeb Creative Lead: Jaiyyanul Huq, Mehedi Hasan Ansari Project Supervisor: Martuza Jalal Antick Art Supervisor: Mijan Islam Assistant Project Supervisor: Farsina Rahman Servicing: Tasnim Farhan Art: Al Nasir, Sudipta Das, Nazim Ahmed, Akib Shahrear Copywriting: Farah Zerin Binti Strategy & Planning: Rebecca Ali, Ayon Roy SOUND SQUAD Audio Logistics: Blues Communication Live Audio Engineer: Zakir Hossain Recording Engineer (Live): Victor Tiash Das Recording Engineer (Kolorob Studio): Ifte Khairul Alam (Shuvo) Monitor & System Engineer: Shafayat Faisal Nahid Assistant: Jahirul Islam, Shohag Choudhury Head of Audio: Faizan R Ahmad (Buno) Voiceover: Armeen Musa PROJECT COORDINATION Project Coordinator & Co-Producer: Shamsur Rahman Alvi Artist Manager: Hasanuzzaman Dihan, Mohammad Amzad, Sairaz Mahedi Rinku, Troyee Islam Background research: Gowtam K Shuvo Copyright Co-ordination: ZooeL Morshed VIDEO PRODUCTION TEAM: RUNOUT FILMS __________________________________________________________________ Disclaimer: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.