Frames of Reality in Cheryl Dunye’s The Watermelon Woman

Cheryl Dunye's The Watermelon Woman challenges our perceptions of film with her use of narrative and documentary frames. Utilizing sociologist Erving Goffman's theory of frame analysis, Laura Ivins looks at Dunye's fascinating film. Visit IU Cinema's blog, Establishing Shot, to read the accompanying blog post: https://blogs.iu.edu/establishingshot...