Raag Sohini Tutorial | Chalan | Alap | Tintal | Moumita Mitra

Raag Sohini Tutorial. Chalan. Difference with Puriya and Shuddh Dha Basant (from 5:13 onwards) followed by Alap and Tintal bandish. m= Tivra S G m D N S' S' N D m G r S Uttarang Pradhan Marwa ThaaT Evening Raag Some say it as Bhorkaa Puriyaa S G D N Nyaas D G Vadi Samvadi GmDNS'r' N'S'r'S'N The Taar Saptak Sa is frequently shown Differences with Puriya and Shuddh Dha Basant Puriya Vistar in low and middle octaves Slow temperament ,NrG and r is longer Typical phrases GmDGmG mGrS where r longer than Sohini Sohini Vistar in Mid and higher octaves with frequent use of Taar Sa Temperament not as slow as Sohini SGm not ,NrG Typical phrases GmDNS'r'S'- NDmDG or MDmG mGrS where r is short Shuddh Dhaivat Basant While the aroh is very similar and temperament wise also and both are Uttarang Pradhan. However in Shuddh Dha Basant we have the Typical mG m---G and use of Lalit like two Madhyams SMGMmMG However, presently only Komal Dha Basant is popular and Basant with Two madhyams is called Shuddh Basant which also has other characteristic phrases. Lyric from Kramil Pustak Malika, recomposed by by myself. Saanwaleso Laago Humaaro Neh Saanwari Surat Waari Mohani Moorat Bin Dekhe Nahi Chain #sohinimoumitamitra #sohinitutorial #sohinitutorialmoumitamitra #raagtutorialseriesmoumitamitra