Padharo Maare Des x Kaise Katte Umariya | Ghayoor Moiz Qawwal & Brothers | Feat. Ustaad Fareed Ayaz
Sur Aur Kalaam
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Padharo Maare Des x Kaise Katte Umariya | Ghayoor Moiz Qawwal & Brothers | Feat. Ustaad Fareed Ayaz
1 166 просмотров · 7 часов назад
Sur Aur Kalaam
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1 166 просмотров · 7 часов назад
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0:00 Sazina — before the riverbank wait
1:22 Nadi kinaare — flowers in hand, waiting for the beloved
2:33 Yeh “mein” dissolves — ego steps aside for intezaar
2:55 Asking every passerby — maara sajan kitni duur?
3:22 Keysariya, dhola aao — Padharo maare des
4:35 Sit in these eyes for barsaat — ink, white, dusk & rain-cloud
5:32 Ab to aaja bakhuda — only your yaad on shab-e-tanhayi
6:12 Peer Mallah, utaaro paar — kangna and naulakh haar as fare
7:03 Ali ji — beira laga do paar
8:02 Naiya dugmug dole — Muhammad / Ahmed, bring us across
10:00 Ustaad Fareed Ayaz — Haye kayise katte umariya
11:00 Eyes thirst without you — tum bin kuch na suhaaye
11:49 For your preet — apne-paraye all turn away
12:41 Sab roothe, aik tum na — else ghazab hui jaaye
13:35 Balam’s chokh nazariya — one glance, jiyara lotpot
Archiving performance art of this caliber is a labor of deep care and intention. From sitting down with the artists to curate and select the exact kalaam, to directing the performance, editing, and painstakingly transcribing and translating every verse—each release demands an immense amount of dedication. If you value the preservation of our shared cultural and spiritual heritage, consider supporting our work on Patreon. Your patronage directly ensures this archival effort continues to thrive and document these timeless traditions for generations to come.
Immerse yourself in this breathtaking moment of musical legacy as Ghayoor and Moiz Qawwal perform live, with the legendary Ustaad Fareed Ayaz stepping in to elevate the space with his profound rendition of "Haye Kaise Katte Umariya."
Standing by the riverbank with flowers in hand, the lover transforms into a timeless symbol of yearning, looking out toward the horizon where the beloved is expected to return. This performance of the classic kalam "Padharo Maare Des" dissolves the boundary between the individual self and the universal soul, turning physical waiting into a spiritual pilgrimage where every passing stranger is questioned about the distance remaining.
As the performance deepens, the weight shifts to the sheer heaviness of passing time spent in absence, capturing the fragile threshold where life ticks away in a loop of expectation. Pleading that the rest of the world may turn away as long as the beloved stays true, this powerful exchange captures the exact moment a single glance from the returning partner makes every second of suffering worthwhile.