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Bruce Dickinson-4.Born In '58(Argentina 1995)-V.2

Ancutzamica1

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Bruce Dickinson-4.Born In '58(Argentina 1995)-V.2

4 289 просмотров · 17 лет назад
Ancutzamica1
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4 289 просмотров · 17 лет назад
Bruce Dickinson - Obras Sanitarias, Buenos Aires, Argentina, Mar. 11, 1995, during the ''Balls to Picasso Tour'' 1994-1995. This is my second version of Argentina concert. You can find my first version in my Bruce Dickinson playlist. Born In '58 (B. Dickinson/ J. Gers) Bruce Dickinson : Vocals Chris Dale: Bass Guitar Alex Dickson : Guitar Alessandro Elena : Drums [Lyrics] Born in a mining town in '58 When black and white t.v. was up to date And men were still around Who fought for freedom - stood their ground and died That I could be alive And see the damage that we've managed since In this sceptred isle Is nothing sacred - just the one square mile? Justice and liberty You can buy - but you don't get free In a world of steel and glass We bury our past On and on - we slept till dawn When we awoke - we hardly spoke My grandfather taught me how to fight Old-fashioned stuff like wrong and right But all around, I see his morals Buried in a mess of money troubles Born in a mining town in '58 When black and white t.v. was up to date And men were still around Who fought for freedom - stood their ground and died Justice and liberty You can buy - but you don't get free In a world of steel and glass We bury our past On and on - we slept till dawn On and on and on Justice and liberty You can buy - but you don't get free In a world of steel and glass We bury our past Justice and liberty You can buy - but you don't get free In a world of steel and glass We bury our past On and on - we slept till dawn When we awoke - it was - all the same .................. ''Born in '58" is the last single from Bruce Dickinson's debut solo album, Tattooed Millionaire. It was released in October, 1990. The song talks about Bruce Dickinson's own life and is particularly dedicated to his grandfather.'' '' 'Tattooed Millionaire' is a hard rock album released in 1990 by Bruce Dickinson. It is his first solo album. The album project began when Dickinson was asked to record a song for the fifth Nightmare on Elm Street movie, which became the song called "Bring your Daughter...to the Slaughter". Collaborating with future Iron Maiden guitarist Janick Gers, Dickinson began to make a solo album which was fundamentally different from his works with Iron Maiden, sounding much more rock-oriented. "Bring your Daughter..." was not included on the original album but Iron Maiden later recorded a different version that was included on their 1990 album No Prayer for the Dying, which coincidentally became the band's only number one single to date. The introduction to the song "No Lies" is also reminiscent of Iron Maiden's version of "Bring your Daughter...to the Slaughter". All songs written and composed by Bruce Dickinson and Janick Gers, except where noted. '' '' 'Tattooed Millionaire' was recorded when Bruce and the lads in Iron Maiden had a year off. 1989/90 was a busy year for Bruce with recording this solo album, starring in a TV-series and publishing a book. To get a band together he contacted a friend he met during his time in Samson, Janick Gers. Back then he was guitarist with Ian Gillan who Samson supported on tour in 1980. Other musicians are Andy Carr, bassplayer in the band Three rivers and drummer Fabio Del Rio who then was with the band Jagged Edge. The album was recorded in Battery studios in London and was produced by Chris Tsangrides. It featured the Mott the Hoople cover All the young dudes (also released as single) which Bruce changed the words for. In the line "My brother's back at home with the Beatles and the Stones" he exchanged the word "brother" to "father", since he thought it was such a long time the original words were written that it fitted better to have his father back at home with the Beatles and the Stones. The album was a way for Bruce to ventilate his workoholism but he did nothing that he thought would scare people off as it was made "under the watchful eye of the collective", i.e. Iron Maiden. '' (Source:The Bruce Dickinson Wellbeng Network)