Ustad Rashid Khan Vocal Recital Raag Bhairav Classical

ABOUT THE PERFORMANCE & USTAD RASHID KHAN (1968–2024) In this 28:14 live recital on Das Piya Music (Sunny Towers, Kolkata, 1995; Navras "The Song of Shiva"), Padma Bhushan Ustad Rashid Khan (1968–2024)—doyen of the Rampur-Sahaswan Gharana, great-grandson/disciple of Ustad Nissar Hussain Khan & nephew/disciple of Ustad Ghulam Mustafa Khan—sings Raag Bhairav with Pt. Jyoti Goho (Harmonium), Pt. Ramesh Mishra (Sarangi), & Pt. Yogesh Samsi (Tabla): Swar Alaap, Nom-Tom, 12-beat Vilambit Ektaal ("Bina Hari kaun khabar mori let"), Swar Alankar, 16-beat Drut Teentaal ("Jag kartaar tu hi"), Taans, & a 3-fold Tihai on Sam at 28:14. RAAG BHAIRAV — MUSICAL & SCALE PROFILE Raag: Bhairav (भैरव) | Thaat: Bhairav | Carnatic: Mayamalavagowla (15th Melakarta) Western Scale (C=Sa): Double Harmonic Major: C–Db–E–F–G–Ab–B–C' (1–b2–3–4–5–b6–7–8) Swaras: Komal r & d with Andolan (r~, d~); Shuddha S, G, M, P, N | Jati: Sampurna–Sampurna Aaroh: S r G M P d N Ṡ | Avroh: Ṡ N d P M G r S | Pakad: G M d~ P ; G M r~ S ; ,d ,N S r~ S Vadi: d | Samvadi: r | Time: Dawn (4–8 AM) | Rasa: Bhakti, Shanta & Gambhir Ektaal (12, 01:10–22:07): 1–2[X]:Dhin Dhin | 3–4[0]:Dhage Tirakita | 5–6[2]:Tu Na | 7–8[0]:Kat Ta | 9–10[3]:Dhage Tirakita | 11–12[4]:Dhin Na Teentaal (16, 22:08–28:14): 1–4[X]:Dha Dhin Dhin Dha | 5–8[2]:Dha Dhin Dhin Dha | 9–12[0]:Dha Tin Tin Ta | 13–16[3]:Ta Dhin Dhin Dha BANDISH LYRICS, SWAR ALAAP, NOM-TOM, STHAYI, ANTARA, ALANKAR & TIHAI NOTATIONS (00:00–28:14) SWAR ALAAP & NOM-TOM PULSE (00:00–01:10) Alaap (00:00–00:50): ,d ,N S ; ,N ,d ,P ,d ,N S ; S r~ S ; S G M r~ S ; G M P d~ P ; M G r~ S Nom-Tom (00:50–01:10): P1: Nom–Tom–Ta–Na–Dhi–Ri–Na–Tom (,d ,N S G M r~ S) | P2: Tey-Rey-Nom-Tom | Ta-Na-Dhi-Ri-Na-Tom (G M P d~ P | M G r~ S) BANDISH 1 (VILAMBIT EKTAAL — 12 BEATS): "BINA HARI KAUN KHABAR" (01:10–22:07) Grid: 9–10[3] | 11–12[4] | 1–2[X Sam] | 3–4[0] | 5–6[2] | 7–8[0] [ BANDISH 1 STHAYI (स्थायी) & BOL-ALAAP — 01:10–13:04 ] Lyrics: बिना हरि कौन खबर मोरी लेत, एक करम की नज़र तुम राजन। (Bina Hari kaun khabar mori let, ek karam ki nazar tum raajan) — "Without the Lord, who cares for me? Bestow one glance of grace, O King." Sthayi (Beat 9): L1: M–P|d~P|M~PG~M|r~–|Sr~S|,NS (Bi-na|Ha-ri|kau-n|kha-bar|mo-ri|le-t) || L2: ,NSG|MPd~|PMG|r~S|GMP|d~P (E-ka|ka-ram ki|na-zar|tu-m|raa-ja-|n–) Bol-Alaap (06:30–13:04): ,d,NSGMr~S ; GMPd~P ; MPdNdP ; dPMGr~S SWAR ALANKAR (PALTAS) & SARGAM (13:05–16:14) Alankar 1 (13:05–14:27): Aaroh: SrG, rGM, GMP, MPd, PdN, dNṠ || Avroh: ṠNdP, NdPM, dPMG, PMGr, MGrS Alankar 2 (Sargam, 14:28–16:14): GMGr, GMPr, dPMGr ; dMPM, NdPMP ; SGMdNṙṙṙ, dMdNṙ dMdGPMGrS [ BANDISH 1 ANTARA (अंतरा) & GAMAK TAANS — 16:15–22:07 ] Lyrics: करम की नज़र दयाल नैया पार, साधु नाम आराधे निसदिन। (Karam ki nazar dayal naiya paar, saadhu naam aaraadhe nisadin) — "One merciful glance ferries my boat across; the devotee reveres the Name." Antara (Beat 9): L1: M–P|dN|Ṡ–Ṡ|Ṡṙ~N|dP|Mr~S (Ka-ra|m ki|na-zar|da-yal|nai-ya|pa-r) || L2: GMd|NṠṙ|ĠṙṠ|NdP|MGM|r~S (Saa-dhu|naa-m|aa-raa-|dhe ni-|sa-di-|n–) Gamak Taans (18:30–22:07): SrGMPdNṠṙĠṙṠNdPMGrS || (GMdNṠNdPMGrS) x3 == M [Sam] BANDISH 2 (DRUT TEENTAAL — 16 BEATS): "JAG KARTAAR TU HI" (22:08–28:14) Grid: 9–12[0] | 13–16[3] | 1–4[X Sam] | 5–8[2] [ BANDISH 2 STHAYI (स्थायी) — 22:08–23:04 ] Lyrics: जग करतार तू ही हमसे बंधावत धीर, अनंत बधावे जग करतार। (Jag kartaar tu hi hamse bandhaavat dheer, anant badhaave jag kartaar) — "You alone are the Creator who instills patience and boundless grace." Sthayi (Beat 9): L1: G–MP|d~PMG|rSrG|MPd~P (Ja-ga kar-ta-|r tu hi–|ha-m-se ban-|dha-va-t dheer) || L2: GMdN|ṠNdP|MPdP|MGrS (A-nan-t ba-|dha-ve ja-ga|kar-ta-r tu|hi–––) [ BANDISH 2 ANTARA (अंतरा) & DRUT TAANS — 23:05–26:59 ] Lyrics: नैया मोरी मझधार भंवर में, दया मोरे मालिक तू ही करोगे बेड़ा पार। (Naiya mori manjhdhaar bhanwar mein, daya more maalik tu hi karoge beda paar) — "My boat is in the whirlpool; O Lord, You alone ferry it across." Antara (Beat 9): L1: M–Pd|NṠṠ–|Ṡṙ~ṠN|d–P– (Nai-ya mo-ri|man-jh-dha-r|bha-n-wa-r|me-n––) || L2: GMdN|ṠṙṠN|dPMG|rSrG (Tu hi ka-ro-|ge– be-da|pa-r Ja-ga|kar-ta-r tu) Drut Taans (24:15–26:59): SrGMPdNṠṙĠṀĠṙṠNdPMGrS ; SGrS,rMGr,GPMG,MdPM,PNdP,dṠNd,ṠNdPMGrS 3-FOLD TIHAI ON SAM (27:00–28:14) Pala 1: (ṠNdPMGrS | GMdNṠNdP | dPMGrS) Pala 2: (ṠNdPMGrS | GMdNṠNdP | dPMGrS) Pala 3 & Sam: (ṠNdPMGrS | GMdNṠNdP | dPMGrS) == S [SAM 28:14!] CHAPTERS 00:00 Alaap 00:50 Nom-Tom 01:10 Sthayi 1 06:30 Bol-Alaap 13:05 Alankar 16:15 Antara 1 18:30 Taans 1 22:08 Sthayi 2 23:05 Antara 2 24:15 Taans 2 27:00 Tihai LEGEND: S=Sa,r=Komal Re,G=Ga,M=Ma,P=Pa,d=Komal Dha,N=Ni #UstadRashidKhan #RaagBhairav #VocalRecital #ClassicalVocal #DasPiyaMusic daspiyamusic/‪@siddhantnahar‬