SUS OJOS SE CERRARON (C. Gardel) - Arrangement: B. Fingas - Bandoneon solo: Luis Caruana

SOLOS DE BANDONEON — Tangos note by note. An easy way to play expressive tango. This arrangement is part of the series SOLOS DE BANDONEON for beginners and intermediate players. 🎼 Get your bandoneon arrangement (PDF): https://www.bernardofingas.com Luis Caruana interpreting SUS OJOS SE CERRARON (Carlos Gardel) Arrangement especially written for 142 tone bisonoric Bandoneon. SOLOS DE BANDONEON vol. I Content: VOLVER, GOLONDRINAS, EL DIA QUE ME QUIERAS, SUS OJOS SE CERRARON, SOLEDAD This song is part of a music book (PDF) and EP of five bandoneon solo arrangements, including the most beautiful tangos ever written by the legendary Carlos Gardel. Rcording: Estudios ION, Buenos Aires Mastering: Fernando Taverna, Mixo Estudios, Buenos Aires Produced by Bernardo Fingas, November 2021, Buenos Aires Video: Hernan Reig Bernardo Fingas is a german bandoneonist, arranger, composer based in Buenos Aires. If you are interested in this or other arrangements or personalized bandoneon-classes online (German, English and Spanish) please feel free to contact Bernardo: https://www.bernardofingas.com biandubernardo@gmail.com !!! Also available SOLOS DE BANDONEON vol I !!! 5 arrangements especially written for 142 tone bisonoric Bandoneon with a preface from Rodolfo Mederos. Content: GRICEL, GOLONDRINAS, NUNCA TUVO NOVIO, UNA EMOCION, MARIPOSITA. 5 Arrangements. 17 pages. Available in PDF format. Listen here: https://bit.ly/solos-bandoneon Contact: biandubernardo@gmail.com "When I heard the music of Astor Piazzolla in the 90s, living in Germany, I did not suspect that this experience could change my destiny. I traveled to Buenos Aires to study bandoneon. And now it's more than 15 years I have been living here and my bandoneon and the tango tango still share my way." Bernardo Fingas In mid 1800, Heinrich Band invented the Bandoneón in Germany. The instrument's expressive range and superb colorful timbre, sweet on the left hand and somewhat sharp on the right, making it appropriate for a wide range of musical styles. Emigrants introduced the instrument to Argentina about 1870, when it was absorbed into the emerging Tango genre. Metal reeds inside the instrument produce sound through the movement of the bellows. As a result, the Bandoneón appears to breathe like a human... a fact that many Tango lyrics allude to.