A Regency Woman Did Not Have Three Seasons to Marry. She Had Something Worse
Emberley Hall
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A Regency Woman Did Not Have Three Seasons to Marry. She Had Something Worse
48 934 просмотра · 6 дней назад
Emberley Hall
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48 934 просмотра · 6 дней назад
Every Regency romance gives a debutante three Seasons to find a husband. Nobody at the time wrote that rule down.
This is the Season itself, as the record shows it: the rules of the room at Almack's, where a third dance with the same man was as good as an announcement; the price of one spring, around nine hundred pounds, sixty years of a farm labourer's wages; and the arithmetic that followed a woman long after the music stopped.
Most women of this class married at about twenty-five, after six or seven Seasons, not three. And roughly one woman in six never married at all.
If a safe, comfortable match came in your second Season, and the man you actually wanted had not yet appeared, would you have taken the sure thing, or gambled on another spring?
Chapters
00:00 The ballroom everyone remembers
03:23 Chapter 1 - The Marriage Mart
06:28 Chapter 2 - The Arithmetic Under the Ballroom
09:15 Chapter 3 - The Clock That Wasn't
11:19 Chapter 4 - Then What?
Sources & images
Primary: Lord Byron, Don Juan, Canto XII (1823) · Jane Austen, Letters, ed. Deirdre Le Faye (Oxford, 2011) · The Mirror of the Graces (1811) · Capt. R. H. Gronow, Reminiscences (1862) · William Blackstone, Commentaries on the Laws of England (1765) · Trial of Maria Foote and Joseph Hayne, breach of promise (London, 1824).
Scholarship: H. J. Habakkuk, "Marriage Settlements in the Eighteenth Century" (1950) · T. H. Hollingsworth, The Demography of the British Peerage (1964) · E. A. Wrigley and R. S. Schofield, The Population History of England (1981) · Amy M. Froide, Never Married (2005) · Jennifer Davey, "Wearing the Breeches? Almack's, the Female Patroness" (2017) · Rebecca Probert, "Control over Marriage in England and Wales, 1753 to 1823" (2009) · Edward Copeland, "What's a Competence?" (1979).
Thumbnail: Sir Thomas Lawrence, Emily Mary Lamb, 1803 (National Gallery, London). The painting was extended with AI to fit the frame; her face is Lawrence's own.
An Emberley Hall Production.
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