Jah Love Sound System ft Josey Wales, Brigadier Jerry & Charlie Chaplin

Jah Love Sound System ft Josey Wales, Brigadier Jerry & Charlie Chaplin Josey Wales was one of dancehall's founding fathers, building on the innovative DJ chatting of his mentor U-Roy and creating a highly influential style of his own. Along with Brigadier Jerry and his sound-system partner Charlie Chaplin, Wales was widely regarded as one of the best DJs in Jamaica when dancehall took over the reggae scene in the early '80s. His gruff, gravelly voice and half-spoken, half-sung delivery were instantly recognizable, and were copied by many an up-and-coming DJ. Unlike his contemporary Yellowman -- perhaps the only DJ of the era who was more popular -- Wales pointedly refused to resort to slackness, keeping his lyrics purely conscious and Rastafarian. That meant he grew increasingly unfashionable over the course of the '80s, but he nonetheless continued to perform regularly, and remained a highly respected pioneer. Josey Wales was born Joseph Winston Sterling in West Kingston, Jamaica, and took his stage name from the Clint Eastwood Western The Outlaw Josey Wales; naturally, "The Outlaw" became a standard nickname for him, along with "The Colonel." Wales first performed professionally as a DJ with the Roots Unlimited Sound System in 1977, and made his name as part of U-Roy's King SturGav Hi-Fi Sound System, where he spent three and a half years in the early '80s. Brigadier Jerry was born Robert Russell in Kingston on September 28, 1957. He started his career in show business by trying standup comedy in his early teens, but soon moved on to work for sound systems. He started out at the legendary U-Roy's King SturGav Hi-Fi system in the early '70s, and soon moved on to the Jah Love Muzik system; this latter was run by the Christian Rastafarian sect to which he belonged, the Twelve Tribes of Israel. While with Jah Love, bootleg cassette tapes of his live performances began to circulate among DJ aficionados, resulting in packed houses wherever he played. Despite his sterling underground reputation and influential, melodic toasting style, Jerry was barely represented on record until 1982. He'd previously cut several tracks for Studio One, including "Every Man Me Brethren" and "Dance in Montreal," and appeared on several local singles with other Twelve Tribes members. In 1982, he cut a new version of the Slim Smith riddim "Never Let Go," which he retitled "Pain" and released on the small Jywanza label. It was a major hit, rocketing to the top of the Jamaican charts. Jamaica, Jamaica Further singles followed over the next couple of years: "Gwan a School" (Jywanza), "Horse a Gallop" (Powerhouse), "Warn Dem" (for Judy Mowatt's Ashandan label), and the 1984 hit "Jamaica, Jamaica" (on Jah Love Muzik's own label). Meanwhile, he also mentored the career of female DJ Sister Carol, and DJed for nearly every prominent sound system in Jamaica. A semi-official live album, Live at the Controls, appeared in 1983, but he didn't record his proper debut LP until 1985. Charlie Chaplin rose to prominence in the early '80s during the first years of the dancehall era. In contrast to the '70s roots reggae period, with its decidedly spiritual and cultural world view, dancehall music reflected the secular world of clubs and sound system dances -- the earlier cultural bent remained, but decidedly secular and slack lyric matter came to dominate. This age-old contrast between human folly and religious salvation was first forecast in Jamaican music via the contrasting styles of the jazz and R&B-inspired ska and rocksteady of the '60s and the Rastafarian-centric roots period of the following decade; the two views have informed the music ever since, whether it's the almost comic slackness of early '90s ragga or the retro-rasta sentiment of late '90s bobo dread circles. Chaplin reflected this contrast in his own style: he embraced the modern (at the time) dancehall rhythms, but -- unlike many of his fellow DJs of the late '70s and early '80 -- he focused on cultural lyrics instead of slack subject matter. Charlie Chaplin (born Richard Bennett) first came to prominence as a member of DJ innovator U-Roy's Stur-Gav Hi-Fi in 1980-1981. Along with fellow Stur-Gav chatter Josey Wales, Chaplin became one of the most popular DJs on the island during his stay with U-Roy, even rivaling the dancehall king of the day, Yellowman. Wales and Chaplin also gained inspiration from U-Roy, continuing the DJ tradition Roy helped launch in the late '60s by taking on some of the master's phasing style and lyrical predilections. ❤️💛💚 #Reggae & #SoundSystem #Culture For more Quality Vibes Subscribe to our YouTube Channel. █▬█ █ ▀█▀ Subscribe, █▬█ █ ▀█▀ Like & Comment