Gwalior Gharana | ๐ฎ๐ฏ๐จ๐น๐จ๐ต๐จ๐บ - ๐ป๐๐ ๐ท๐๐๐ ๐ ๐๐ ๐ฐ๐๐ ๐๐ | INSYNCTV
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Gwalior Gharana | ๐ฎ๐ฏ๐จ๐น๐จ๐ต๐จ๐บ - ๐ป๐๐ ๐ท๐๐๐ ๐ ๐๐ ๐ฐ๐๐ ๐๐ | INSYNCTV
1ย 168 ะฟัะพัะผะพััะพะฒ ยท 1 ะณ. ะฝะฐะทะฐะด
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10,5ย ััั. ะฟะพะดะฟะธััะธะบะพะฒ
1ย 168 ะฟัะพัะผะพััะพะฒ ยท 1 ะณ. ะฝะฐะทะฐะด
The ๐ฎ๐๐๐๐๐๐ ๐ฎ๐๐๐๐๐๐ (๐ฎ๐๐๐๐๐๐ ๐บ๐๐๐๐๐ ๐๐ ๐ช๐๐๐๐๐๐๐๐ ๐ด๐๐๐๐) is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana evolved during the time of the Mughal Empire. Among the early masters (Ustad) were Naththan Khan, Naththan Pir Bakhsh and his grandsons. The head musician in the imperial court was Bade Mohammad Khan and was famous for his taan bazi style. Both Bade Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang.
Krishnarao Shankar Pandit (1893 1989) was a musician of the Gwalior Gharana heritage. His father, Shankarrao Pandit was a student of Haddu Khan, Nathu Khan and Nissar Hussain Khan, Nathu Khan's son. Krishnarao Shankar Pandit practiced Khayal, Tappa and Tarana singing as well as layakari.
In 1914, Krishnarao Shankar Pandit opened a school in Gwalior, the Shankar Gandharva Mahavidyalaya.
Gwalior Greats -
๐ด๐๐๐๐ ๐ป๐๐๐๐๐, ๐ต๐๐๐๐๐๐๐๐๐ ๐ฉ๐๐
๐๐, ๐ต๐๐๐๐๐๐๐ ๐ท๐๐ ๐ฉ๐๐๐๐๐, ๐ฒ๐๐๐๐๐๐ ๐น๐๐ ๐บ๐๐๐๐๐๐ ๐ท๐๐๐
๐๐, ๐ฝ๐๐๐๐๐ ๐ซ๐๐๐๐๐๐๐ ๐ท๐๐๐๐๐๐๐
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