Sambandar's Tevaram in Quintessential Hemavati🔹Vantaranga Punarkamala🔸Dr.M Balamuralikrishna (1970s)
Music for Posterity : Sreenivasa Murthy
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Sambandar's Tevaram in Quintessential Hemavati🔹Vantaranga Punarkamala🔸Dr.M Balamuralikrishna (1970s)
626 просмотров · 3 недели назад
Music for Posterity : Sreenivasa Murthy
34,9 тыс. подписчиков
626 просмотров · 3 недели назад
✨ A Priceless Piece of Musical History
Welcome to a truly rare and spiritual musical experience. This video presents a precious, 50-year-old live concert (an excerpt) recording of the legendary Carnatic maestro, Dr. M. Balamuralikrishna (BMK), performing sacred 7th-century Tamil Saivite hymns composed by the child-saint Thirujnana Sambandar.
Accompanied by the brilliant Sri. Purnachander and Sri. U. K. Sivaraman, Dr. Balamuralikrishna breathes profound emotional and melodic depth into these ancient Tevaram verses, exploring them through an unhurried, deeply meditative, and masterful rendition.
🎙️ The Story Behind the Recording & Restoration
This recording is a literal labour of love. Sometime in the early to mid-1970s, my distinguished friend, Sri. T. K. Ramkumar, passionately attended Dr. Balamuralikrishna's concerts while studying at IIT Madras. Using a hand-held tape recorder, he captured this incredible gem, ultimately helping me develop a lifelong aptitude for music restoration.
Restoring a 50-year-old tape was an unexpected challenge—not just technically, but emotionally. Every time I sat down to clean the audio, I found myself completely captivated by its sheer beauty. Instead of working, my mind simply wanted to dwell in the experience! Driven by a strong desire to share this uplifting peace with the world, I pushed through a dozen iterations. The audio is now beautifully preserved and ready for your ears. I extend my most sincere thanks to Sri. Ramkumar for this priceless contribution.
🎼 A Connoisseur’s Perspective: The Music & The Rāga
To listen to this performance is to step directly into a dream. Dr. Balamuralikrishna opens the concert with a spellbinding Rāgālāpana of the rāga Hémavathi, followed by a Tānam, a three-stanza composition, and a scintillating Svara-vinyāsam.
Hemavathi is traditionally known as a powerful Nādaswaram rāgam, but BMK transforms it into something sweet, gentle, and profoundly meditative. Like the Picasso of Carnatic music, he takes familiar musical elements and rearranges them into an unconventional, singular beauty. At one point, his voice effortlessly and delightfully swoops down the octaves, inhabiting Sambandar’s soul, creating an aura of peace and quietude that will move you to tears—especially during the breathtaking Tānam section and on the words "isai pādi" (singing music) during svara-vinyāsam.
Even without understanding the ancient Tamil lyrics, the spiritual aura of this masterpiece is entirely universal.
🌸 The Universe of Saint Sambandar
Thirujnana Sambandar was a prominent 7th-century child-saint and one of the Nayanmars (holy poets dedicated to Lord Shiva). Legend says that as a hungry infant left on the steps of a temple tank, he was fed milk from a golden bowl by the goddess Uma herself.
Unlike the distant, snow-clad Himalayas, Sambandar’s poetry brings Shiva close to home, painting the lush, fertile countryside of Tamil Nadu—a paradise of verdant paddy fields, humming bees, and regal swans.
📖 Meaning of the Three Stanzas Rendered:
1️⃣ The Bee’s Message (Love & Longing): A maiden in love appeals to a male bee consuming nectar from the lotus ponds. She begs the bee to take pity on her, fly to her Lord Shiva—who wears the crescent moon, sports a garland of bones, and performs his cosmic dance at the shrine of Tiruttōnipuram—and convey the agony of her separation.
2️⃣ Guidance from the Swans: The maiden seeks guidance from the majestic swans resting comfortably in the wind-swept, ripe paddy fields. She asks them to show her the path to reach the sacred feet of the Lord of Tōnipuram, the creator of heaven, earth, and the four Vedas, who famously kicked the unconquerable Lord of Death (Yama).
3️⃣ Phalastuti (The Blessing): This final stanza describes the divine benefits that accrue to devotees. In the rich fields of Tōnipuram, the dark-necked Lord Shiva dwells with his twisted matted locks. Jnānasambandhan, wearing a garland of lotus flowers, sang these praises. Devotees who recite these songs are unconditionally assured a path to the Lord's heavenly abode.
🌿 Sit back, close your eyes, and allow yourself to be transported to a time of pure, unfolding peace. Happy listening!