John Addington Symonds - Renaissance in Italy, Volume 5 (of 7) — Part 2 | Audiobook
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John Addington Symonds - Renaissance in Italy, Volume 5 (of 7) — Part 2 | Audiobook
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📚 Renaissance in Italy, Volume 5 (of 7) — Part 2 of 3
✍️ Author: John Addington Symonds
📖 Excerpt from the book:
This e-book contains a few phrases in ancient Greek, which may not display properly depending on the fonts the user has installed. Hover the mouse over the Greek phrase to view a transliteration, e.g., βιβλος. This is Part II of a two-part work. Part I is available at Project Gutenberg. This e-book also contains external links to other works by John Addington Symonds at Project Gutenberg. These links are not guaranteed to be functional in perpetuity. RENAISSANCE IN ITALY BY JOHN ADDINGTON SYMONDS Author of "Studies of the Greek Poets," "Sketches in Italy and Greece," etc. "Italia, sepoltura De' lumi suoi, d'esterni candeliere" Campanella: Poesie Filosofiche. NEW YORK HENRY HOLT AND COMPANY 1888 CONTENTS OF THE SECOND PART. CHAPTER IX. THE ORLANDO FURIOSO. Orlando Furioso and Divina Commedia—Ariosto expresses the Renaissance as Dante the Middle Ages—Definition of Romantic, Heroic, Burlesque, Heroic-comic, and Satiric Poems—Ariosto's Bias toward Romance—Sense of Beauty in the Cinque Cento—Choice of Boiardo's unfinished Theme—The Propriety of this Choice—Ariosto's Irony and Humor—The Subject of the Furioso—Siege of Paris—Orlando's Madness—Loves of Ruggiero and Bradamante—Flattery of the House of Este—The World of Chivalry—Ariosto's Delight in the Creatures of his Fancy—Close Structure of the Poem—Exaggeration of Motives—Power of Picture-painting—Faculty of Vision—Minute Description—Rhetorical Amplification—Rapidity of Movement—Solidity—Nicety of Ethical Analysis—The Introductions to the Cantos—Episodes and Novelle—Imitations of the Classics—Power of Appropriation and Transmutation—Irony—Astolfo's Journey to the Moon—Ariosto's Portrait—S. Michael in the Monastery—The Cave of Sleep—Humor—Pathos and Sublimity—Olimpia and Bireno—Conception of Female Character—The Heroines—Passion and Love—Ariosto's Morality—His Style—The Epithet of Divine—Exquisite Finish—Ariosto and Tasso—Little Landscape-Painting—Similes—Realism—Adaptation of Homeric Images—Ariosto's Relation to his Age
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