FRANK OCEAN almost made me drop a tear...| #COV

In this video I listen to "Blonde" by Frank Ocean THE PATREONNNN :   / loket   THE PATREONNNN :   / loket   THE PATREONNNN :   / loket   100K SUB GRIND! SHARE IT UP & COMMENT IF YOU ARE HERE ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ➜ Subscribe To My Channel -    / @loketvibecatcher   ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Social Media ➜🦅 Twitter -   / ablessxng   ➜🎥Instagram :   / ablessxng   ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Send all business inquiries to ★ loketvc@gmail.com intro 0:00 Nikes 02:27 APPLE MUSIC makes me listen to NIGHTS 05:50 Ivy 07:20 Pink + White 10:31 Be Yourself 13:26 Solo 13:47 Skyline To 15:55 Self Control 17:34 Good Guy 20:10 Nights 20:40 Solo (Reprise) 24:24 Pretty Sweet 25:29 Facebook Story 27:10 Close to You 27:34 White Ferrari 28:20 Seigfried 31:16 Godspeed 33:50 Futura Free 35:50 #frankocean #blonde #reaction Blonde is the second studio album by the enigmatic Frank Ocean. The album was released on August 20, 2016, only a day after the release of the visual album Endless and a four-year studio album hiatus after the release of channel ORANGE. The album was released digitally, on music streaming platforms, and physically, in magazines given away at pop-up shops in Los Angeles, New York, Chicago, and London. The magazine, titled Boys Don’t Cry, is a companion piece to Blonde and featured various types of content, including lyrics, poetry & interviews from Ocean & many others, as well as a limited-edition CD of Blonde within its center pages. The album’s concept explores falling in-and-out of love, with themes of self-love & hate, and failed relationships, family, drugs & depression can be found throughout; these themes intertwine to create a complex & nuanced project, which stands as Ocean’s most vulnerable. In contrast to Ocean’s previous albums, Blonde takes on a more minimalist approach with influences such as Elliott Smith, Pharrell Williams, David Bowie, and James Blake to name a few. The album has an eclectic and atmospheric feel, with drifting guitars and beatless melodies accompanying dense & powerful lyricism. Kate Mossman in The Observer characterized the album as a “journey in cerebral, non-macho, boundary-free R&B [that] will be heard long after the fuss has died down.”