Velvet Tone Studios Guitar Amp Showcase Pt 3: Fender Acoustasonic 15 Amp ft. Michael Gregory

This is the 3rd in a series of 9 videos demonstrating the guitar amplifiers that are available for use at Velvet Tone Studios. All of these amplifiers are available for remote re-amping services. Book a session: https://www.velvettonestudios.com/ser... Follow Velvet Tone Studios on IG, Facebook, and Twitter:   / velvettonestudios     / velvettonestudios     / vtonestudios   Follow Michael Gregory on Facebook and YouTube:   / michael.gregory.925      / @michaelgregory2231   Michael is available for online lessons via Zoom, and 'in person' & remote session work. Pick up 'The Michael Gregory Band - Guitarchitecture' to hear more of Michael's amazing guitar playing. To demonstrate the absolute noise levels of all of the amps in this series, no noise reduction or noise gates were used. No EQ or compression was added during the mixdown. You are hearing the raw, unprocessed sound of these amps (except for the horrible audio compression that the YouTube bots thought would sound good). Michael Gregory had no idea what guitar amps he was going to demonstrate when he walked into the studio the day of 'filming', so if you see him fumbling around with the controls, these were his natural first reactions. SIGNAL CHAIN: Guitarist: Michael Gregory Guitar 1: Ernie Ball / Music Man LIII Steve Lukather model Guitar 2: Fender Telecaster (Mexican) w/ Seymour Duncan Antiquity (50's era PAF replicas) humbucker pickups. Amp: Fender Acoustasonic 15 (Bone Stock) Guitar Amp Recording Chain: Senheisser MD409 → API 312 Mic Pre → Neve 1073 (EQ bypassed). (No signal processing was applied during mixdown) Michael's Lavalier Microphone: Audio Technica MT830R. This microphone blended with the guitar amp mics and provided a little bit of ambience. We chose to leave Michael's narration a tad bit low, as to not create an overabundance of ambiance, and also chose to leave this microphone unprocessed, without EQ and compression. Patrick's Microphone: Shure SM7b (this mic was completely ducked by the guitar amp mic to keep the quantity of mics to a minimum while you hear Michael playing)