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For Heaven's Sake (F) [No Piano] - Ballad || BACKING TRACK

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For Heaven's Sake (F) [No Piano] - Ballad || BACKING TRACK

733 просмотра · 4 года назад
JGC Play-Alongs
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733 просмотра · 4 года назад
Head In, Solo x1, Head Out Ballad 65 BPM Download a free chord chart for this tune here: https://www.jazzguitarcomprehensive.c... Check out my page for hundreds more of the best Play-Alongs and Loops in the world! Join me on Patreon for Backing Tracks and Lead Sheets each week, as well as much more: ►   / jazzguitarcomprehensive   Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: Sherman Edwards, Donald Meyer, Elise Bretton Year: 1947 Origin: First recorded by Claude Thornhill and His Orchestra. Style: Ballad Form: A-A-B-A (32 Bars) [8-8-8-8] Key: Most commonly played in F Major Harmony/Overview: The harmony of this composition is very functional. The A sections begin with a minor II - V to the tonic and are followed by a IIImi7 - VI7b9 - IImi7b5 - V7b9 progression. The harmony then arrives back to the tonic in the 4th bar before becoming Dominant; acting as a secondary Dominant to set up the following IV chord. It is very common to use tri-tone substitution in this instance, instead opting for bV7 to precede the IV. The 5th bar resolves to IVmi7 before the common progression of IIImi7 - bIIIdim7 - IImi7 - V7 returns back to the tonic one last time. The B section abruptly modulates to bVI Major, and begins on IImi7 before cycling through a IImi7 - V7 - IMaj7 - VI7 progression. Bar 5 begins on the tonic minor, and it is very common for the harmony to be approached with the minor cliché line of min - min# 5 - min6 - min7. After a brief stay on IVmi7 a II - V of I is used to conclude the section. Recordings: This song has been recorded over 130 times to date. It was first recorded by Claude Thornhill and his Orchestra in 1957. Billie Holiday's legendary recording from 1958 was highly influential in establishing this song as a standard, and since it has been recorded by countless notable jazz musicians, both vocalists and instrumentalists alike. JGC Top Picks: Bill Evans, Trio 64, 1964 Elvin Jones, Puttin' It Together, 1968 Eric Alexander, Mode for Mabes, 1998 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzg... Be sure to subscribe to my main channel:    / @jazzguitarcomprehensive   As well as JGC History to trace the lineage of some of the most important compositions in jazz:    / @jgchistory   The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ #ForHeavensSake #JazzBackingTracks #Ballad