LUMIX DMW-DMS1 Real World Test 🔊
Johnny Hendrikus
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LUMIX DMW-DMS1 Real World Test 🔊
1 458 просмотров · 6 месяцев назад
Johnny Hendrikus
2,01 тыс. подписчиков
1 458 просмотров · 6 месяцев назад
In this video I put the Lumix DMW-DMS1 through a proper real world test to see what 32-bit float audio actually does outside of a spec sheet.
There’s a lot of talk about 32-bit float “never clipping” and making audio levels irrelevant, but what does that mean in practice? I tested every setting on this hot shoe powered Panasonic microphone, including all 6 polar patterns, to see how forgiving it really is and whether you can actually blow it out.
The Lumix DMW-DMS1 connects digitally through the hot shoe (no battery, no 3.5mm cable) and records 32-bit float internally through compatible Lumix cameras. In theory, that should mean cleaner audio, more headroom, and fewer ruined takes. In reality, I wanted to see how it performs in uncontrolled outdoor conditions.
In this breakdown I compare the different polar patterns, push the levels deliberately, and explain when 32-bit float is genuinely useful, and when it doesn’t matter as much as people think.
If you shoot on Lumix or Panasonic mirrorless cameras and you’re trying to simplify your audio setup without sacrificing quality, this should help you decide whether the DMW-DMS1 makes sense for your workflow.
Listen carefully.
CHAPTERS:
00:00 Intro
00:41 Six Different Polar Patterns
00:57 Native Sound Vs Mic Sound
01:15 First Outside Test
01:49 32-bit Float
02:05 4 Channel Recording Example
02:27 Suspension System
04:13 The Flip Door
04:34 Wind Cut Test
05:39 Testing Voiceover With A Chainsaw
06:24 Testing Against The Sennheiser mke200
07:26 Cya later
07:48 From The Top Of The Rock
#Lumix #Panasonic #DMWDMS1 #32bitFloat #OnCameraMic #RealWorldTest #Filmmaking
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