Schillinger's Theory of Pitch-Scales: First Group Part 2

Schillinger presents several approaches to the evolution of pitch-scale styles in his System of Musical Composition. In Chapter 3 of Book 2, The Theory of Pitch-Scales we find the generation of scale families, how to obtain derivative and modal scales through circular pitch and interval permutation and transposition, the method of summation and the creation of partial scales through either pitch-unit or interval selection. This video tutorial is an overview of these methods and demonstrates the application with a set of melodic continuities and phrases in various styles. Contents: 00:00 What this video is about 00:28 Section 1 Introduction 00:49 Section 2 Fundamentals of Group 1 Pitch-Scales 01:03 Section 2.1 Schillinger System context 01:26 Section 2.2 Group 1 pitch-scales 01:57 Section 2.3 Working with pitch-scales, creation of melodic continuity 02:37 Section 3 Evolution of pitch-scale styles 03:18 Section 3.1 Identity of intervals, pitch-scale families with two interval-units 05:16 Section 3.1.1 Example melodic continuity, Dance 6/8 06:44 Section 3.1.2 Example melodic continuity, Allegro moderato 4/4 07:42 Section 3.1.1 Pitch-scale family with three interval-units, octatonic scale 08:29 Section 3.1.4 Pitch-scale family with three interval-units, two generations 09:16 Section 3.1.5 Example melodic continuity, Andantino 3/4 10:08 Section 3.2 Identity of pitch-units, circular permutation, derivative scales, modes 11:18 Section 3.2.1 Example melodic continuity, Agitato 3/4 12:04 Section 3.2.2 Example melodic continuity, Alla marcia 4/4 13:05 Section 3.2.3 Diatonic 7-pitch modal scales 13:39 Section 3.2.4 Derivative scales through interval permutations 14:16 Section 3.2.5 Example melodic continuity, Cheerful 6/8 15:07 Section 3.3 Method of summation, partial scales 16:30 Section 3.3.1 Example melodic continuity, Allegro deciso 4/8 17:28 Section 3.4 Selection of pitch-units or interval, partial scales 18:46 Section 3.4.1 Example melodic continuity, Lento tranquilo 3/4 21:30 Section 3.4.2 Interval subset selection 22:31 Section 3.4.3 Example melodic continuity, Allegro marcato 3/4 23:25 Summary and conclusion Support video tutorial production on this channel? PayPal donation: https://www.fransabsil.nl/htm/archive... Website: https://www.fransabsil.nl Patreon:   / fransabsil   #SchillingerSystemOfMusicalComposition #PitchScales #MelodicContinuity