Composing in Sonata Form - Writing a First Subject in Classical Style
Music Matters
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Composing in Sonata Form - Writing a First Subject in Classical Style
13 411 просмотров · 2 г. назад
Music Matters
271 тыс. подписчиков
13 411 просмотров · 2 г. назад
Follow along as we start composing a piece of music in Sonata Form in Classical style for the piano. In this lesson we begin writing the first subject complete with a suitable accompaniment. We delve into melodic design, chord choices, harmonic movement, voice leading, development and many other compositional tricks to create a satisfying subject.
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🕘 Timestamps
0:00 - Introduction to writing a first subject in Classical style
0:40 - Features of the Classical style
2:10 - Writing the opening melodic phrase
6:04 - Writing the left hand accompaniment
11:02 - Playing the first four bars
11:17 - Writing the answering melodic phrase
15:11 - Accompaniment chords
17:32 - Coming towards the final cadence
20:45 - Accompaniment chords
22:02 - Techniques used in the composition
22:57 - Playing the finished first subject
23:19 - Conclusion
🎓 Composing in Sonata Form Course
Start writing extended pieces, develop material and learn how to compose music using Sonata Form. Sonata Form serves as the catalyst for honing your composition skills and nurturing your growth as a proficient music creator. This course begins with an explanation of Sonata Form - what it is and how it evolved during the Classical Period. We then analyse Sonata Form movements written by Mozart and Beethoven to discover how Classical Period composers wrote in this structure and in order to see how Sonata Form was to develop during the Romantic Period. The course also explains the possible variants within Sonata Form that composers might choose to explore. There follow two composition projects. In the first, we write the essentials of a Sonata Form movement in the Classical Period style, considering how to compose first and second subjects, how to develop and recapitulate material, when to include an introduction, a Coda and transition material. In the second, we write a more extended Sonata Form movement in a more contemporary style, learning to deal with the challenges of working with Sonata Form in an atonal environment.
https://www.mmcourses.co.uk/p/composi...
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