The Last Dinner Party live at Johnny Brenda’s, Philadelphia PA, 04 Nov 2023, SOLD OUT!

Prelude To Ecstasy - their debut album will be yours on the 2nd February 2024; Please order and support the arts as artists don't make any money from streaming! Thank you.    / @thelastdinnerparty   https://thelastdinnerparty.co.uk Album Pre-order (copy & paste if link not clickable) tldp.lnk.to/preludetoecstasy instagram.com/thelastdinnerparty tiktok.com/@thelastdinnerparty twitter.com/lastdinnerparty facebook.com/TheLastDinnerParty Keyboards, Keytar! (say it "Justin" style like in The Darkness' IBIATCL at 01:52; original video:    • The Darkness - original I Believe In A Thi...  ) & Vocals: Briar Rose through MLOM; then Aurora Nishevci for Godzilla and NM Lead Guitar, Mandolin, Flute & Backing Vocals: Emily F**KING Roberts Drums: Rebekah Rayner; instagram.com/raynerdrums Rythm Guitar, Keyboard & Vocals: Lizzie Mayland Bass Guitar, Keyboard, Backing Vocals: Georgia Davies Lead Vocals: Abigail Morris Please go to Lou Smith's YT channel as it is fantastic! ‪@LouSmith‬ This "The Last Dinner Party live at XOYO" show that he filmed was the first time I saw the band. I am forever grateful to him!!    • The Last Dinner Party live at XOYO, London.   Justin Hawkins Rides Again: Nothing Matters reaction:    • Are They The Latest Industry Plants?!   My Lady Of Mercy reaction:    • The Last Dinner Party Are So Good!   intro: Prelude To Ecstasy (messed this up and it did not record; see below) 00:00 Burn Alive 03:23 Caesar on a TV Screen 07:37 The Feminine Urge 11:33 WIMM On Your Side (second versed replaced with the 1st verse from The Pixies "Where Is My Mind?") 16:10 band intros 16:57 Beautiful Boy 21:02 Briar Rose introducing Gjuha 21:58 Gjuha 23:30 Sinner 26:50 Max! Max! Max! 28:06 Second Best 32:53 Portrait of a Dead Girl 38:39 Mirror 43:27 Big Dog (WOOF!) 46:55 My Lady of Mercy 51:31 Godzilla 56:20 Nothing Matters 59:25 outro: Money for Nothing by Dire Straits (had to cut it after a few seconds, including my closing shot of the cherub, as it was flagged for copyright) TLDP 1st US Tour: 31 Oct 2023 Washington DC; Halloween Special; The Atlantis; SOLD OUT 02 Nov 2023 New York NY; Bowery Ballroom; SOLD OUT 04 Nov 2023 Philadelphia PA; Johnny Brenda's; SOLD OUT 06 Nov 2023 Los Angeles CA; El Rey Theatre; SOLD OUT 09 Nov 2023 Chicago IL; Bottom Lounge; SOLD OUT w/special guests Mother Mary in DC, NY & Philly w/special guests Brigette Calls Me Baby in LA & Chicago Apologies in advance. Sorry! Just like their debut US show in DC, I once again had a bumpy beginning. I started filming as soon as "Prelude To Ecstasy" came on. I wanted to begin & end the show with a shot of the cherub flying above us as it seemed like another sign from the universe. Somehow, after just 2 seconds, while attempting to zoom in on the cherub, I must have hit the stop button and I didn't realize that until the band started playing "Burn Alive". I missed the first 2-3 notes and recovered in time to start filming again before the vocals started. Yes, you are correct. I am an eejit. But. Just like DC, my focus was on experiencing the show, so please forgive me for screwing up the intro. My energy level of nervous excitement about seeing the band again just a few days after seeing their debut US show was somehow even higher this second time around! Maybe because I knew that they were about to kick the crap out of me and another audience. Imagine, if you had to fight Mike Tyson a second time; you think you're ready, you think you're prepared, but deep down inside, you know you're getting 'knocked the f**k out!" after he hits you with that first punch! Plus, during Mother Mary's opening set, I saw TLDP come out onto the balcony* and start walking towards us. I was fairly certain they settled down directly behind where we were standing. And then, when I heard a quiet, small fragment of chit chat in a British accent, I started freaking out a little. It took every ounce of energy I could muster, to dig deep down inside myself, to find what little decency I may have left, to stop myself from turning around to "welcome them" and "thank them for coming" to the US; to thank them again, for how much joy they've brought me. Essentially, as you're already realizing, to not be a selfish and most likely, babbling fool. I didn't want to risk creating a disrespectful distraction to Mother Mary's performance and I didn't want to also disrespectfully interrupt TLDP from experiencing the show. I'm sure the days of them walking around undisturbed are quickly disappearing. Anyways. I filmed in 4K this time. We were able to get a similar spot here as in DC; balcony level, above and to the right of the mix board, slightly left of stage and below the flying cherub. (*Similar scenario played out when we saw them in DC. There too, I decided not to disturb the band.)