Prepping animated stills in Premiere for finishing in DaVinci Resolve

This is my preferred method of preparing animated still images from Premiere for color correction in DaVinci Resolve. It works best for cuts-only animated still sequences, as it takes advantage of Resolve's "EDL Preconform" feature, but the general concept is adaptable to any type of situation where you are trying to avoid having to rebuild in Resolve any complex repos or composites that the editor performed in Premiere.