EP 8 Valaida 🎺 🎺 🎺 Snow - The Black Woman Who Took Jazz Around The World | Women And Resistance
Adesoji Speaks Knowledge
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EP 8 Valaida 🎺 🎺 🎺 Snow - The Black Woman Who Took Jazz Around The World | Women And Resistance
18 просмотров · 15 часов назад
Adesoji Speaks Knowledge
2,72 тыс. подписчиков
18 просмотров · 15 часов назад
In this episode of Women and Resistance, Adesoji Iginla and Aya Fubara Eneli spotlight the extraordinary life of Valaida Snow, a Black woman performer who used music, performance, travel, and self-reinvention as acts of survival and refusal.
Valaida shares how talent, education, and style became tools for resisting racism, sexism, and erasure across the United States, Europe, and Asia.
We discuss her childhood in a travelling performance family, her mastery of multiple instruments, her public reinventions, and the way she was overlooked in American music history despite her acclaim and influence.
Takeaways
*Valaida Snow explains why her life story contains shifting details, and how show business often required reinvention and performance as protection.
*She describes growing up in a family of musicians and performers, with her mother Etta Snow teaching literacy, music, and discipline on the road.
*Valaida reflects on being on stage from age five, mastering ten instruments by age fifteen, and turning education into a portable survival skill.
*She discusses the racism built into early 20th-century entertainment, including minstrel traditions and segregated travel.
*She explains how playing trumpet—a so-called man’s instrument—challenged gender norms, and how she paired it with glamorous stagewear.
*She recalls touring Europe and Asia, finding opportunities abroad while recognising that Europe was far from free of prejudice.
*The conversation touches on Harlem, Chicago, Broadway, and figures including Josephine Baker, Louis Armstrong, W. C. Handy, Earl Hines, and Ethel Waters.
*Valaida describes the erasure of her contributions from credits and biographies, despite her work as a bandleader and performer.
*She reflects on an abusive early marriage and leaving with the skills to support herself.
*The episode addresses conflicting accounts of her wartime detention in Copenhagen and the ways stories about Black women performers can be distorted or simplified.
Chapters
00:00 - What happens when a Black woman’s talent resists society’s categories
03:19 - A family of performers and the making of a musical childhood
05:41 - The Piccanini Troubadours and performing inside racist systems
07:25 - Recognition abroad and neglect at home
10:00 - Surviving life on the road and in the spotlight
11:16 - Resistance through gender defiance, travel, and reinvention
14:56 - Valaida's death, then the story rewinds to the beginning
17:23 - Chattanooga and slavery as living memory
20:59 - The handcuff act and childhood fame
25:23 - Learning ten instruments without music school
29:01 - Why the trumpet became her instrument of refusal
33:24 - Child marriage, abuse, and choosing to leave
36:01 - Joining Holiday in Dixieland and beginning a career on her own terms
38:38 - Harlem, Broadway, and the rise of Valaida Snow
41:31 - Josephine Baker, Banville, and Black stardom
44:35 - Europe as an imperfect refuge
46:22 - Touring Shanghai, Singapore, Calcutta, and Batavia
50:02 - Chicago jazz, Louis Armstrong, and the Sunset Cafe
52:03 - The seven-pairs-of-shoes act and its global symbolism
55:11 - Louis Armstrong’s influence and the double standard of being called a mimic
58:58 - Conducting Rhapsody in Black and being left out of the credits
60:39 - Copenhagen, wartime detention, and conflicting accounts
64:20 - Love, scandal, and film work in Europe
67:14 - Returning to Harlem and rebuilding her career
68:12 - Wrigley Field, Town Hall, and late-career recognition
69:35 - Her final performance at the Palace Theatre and burial in Chattanooga
73:19 - Valaida’s closing message: embrace everything in you and do it all
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