Raag Lankadahan Sarang | Tutorial | Jhaptal | self composed | Moumita Mitra

Raag Lankadahan Sarang Tutorial. Chalan followed by stories of creation, followed by a self composed Jhaptal bandish based on the creation story, finally followed by the notation of the composition. Thaat Kafi. R P Vadi Samvadi Afternoon Raag. 2, 3 versions found. 1st version is Bridavani Sarang with Komal Ga like Desi/Jaijaiwanti (as per many recordings found and Maarif-un-Naghmat) S R M P N S' S' n P M Rg R S 2nd Version is Brindavani Sarang and Komal Ga with slight shuddha Dha as D n P (as per Kramik Pustak Malika) S R M P N S' S' n D n P M R g R S 3rd Version is almost Brindavani Sarang with komal Ga as Desi/Jaijaiwanti, long and short shuddha dha, shuddha nishad less, mostly in the middle octave, shuddh Ni is just touched in lower octave, sounds more like the raised Komal Ni of Desi (as per notation of Ustad Ali Akbar Khan) S R M P N S' S' nD P M P D P M Rg RS Mostly Komal Ga is used as Rg R S. However in Kramik Pustak Malika and Maarif-un-Naghmat, notations like R M P M g- M R S and g M P M R S are found. Jhaptal Bandish Lankaa Dahan Laagi Agni Jwaalaa Jhalak Jhalak Dekh Dekh Ankhiyaan Dhundlaaye Bhaybheet Sub Swarnpurime It Ut Jaawe Ashok Vaatikaame Sitaa Dar Dar Paawe Or Sitaa Raam Naam Dhyaawe (as suggested by Vithal C Nadkarni ji) Meaning : Lanka is on fire and eyes are getting dazzled by the glare of fire. The residents of Lanka are scared to death and running frantically. Sita Ma is also sitting in Ashok Vatika with a scared heart. The residents of Lanka are scared to death and running frantically. Sita Ma is also sitting in Ashok Vatika with a scared heart. #lankadahansarang #lankadahan #sarangkaprakar #lankadahansarangtutorial #rareraga #rareragamoumitamitra #lankadahansarangmoumitamitra #lankadahansarangtutorialmoumitamitra #sarangtutorial #raresarang #sarangtutorialmoumitamitra #ragatutorialseriesmoumitamitra #ragatutorialseries