Iberian Music for Keyboard | Pierre Hantaï · MarchVivo

The expression “Iberian key” was introduced by the pioneers of the recovery of the repertoire for organ and harpsichord written in Portugal and Spain between the 16th and 18th centuries, a repertoire that includes works from the long organ tradition of the peninsula (Cabezón, Araújo...) and that reached its virtuosic peak with the sonatas of Scarlatti and Seixas. Antonio de Cabezón (1510-1566) 00:00 Tiento of the first tone 02:33 Diferencias on the italian pavana 06:00 Three versillos of the second tone 09:30 Tiento of the first tone 14:17 Glossa on the motet “Ave Maria” by Josquin Desprez 19:31 Diferencias on the gallarda milanesa Pedro de Araújo (1662-1705) 22:09 Fantasy of the first tone Antonio de Cabezón (1510-1566) 31:33 Three versillos of the sixth tone 34:16 Diferencias on “Las vacas” Juan Bautista Cabanilles (1644-1712) 39:23 First-tone Passacaglia Anonymous 44:28 Españoleta Domenico Scarlatti (1685-1757) 47:11 Sonata in D Minor, K 213 51:07 Sonata in D Minor, K 295 Carlos Seixas (1704-1742) 54:37 Minuet, from Sonata No. 55 in G Minor Domenico Scarlatti (1685-1757) 56:19 Sonata in C Minor, K 58 Carlos Seixas (1704-1742) 59:31 Minuet, from Sonata No. 43 in F Major Domenico Scarlatti (1685-1757) 1:00:32 Sonata in F Major, K 151 1:05:20 Sonata in B flat Major, K 249 Pierre Hantaï, harpsichord Copy by Andrea Restelli (2004) after a harpsichord made by Christian Vater (1738) Concert of the series “Iberia. Musical relations between Portugal and Spain (I)” https://www.march.es/es/madrid/concie... 14 November 2018 Fundación Juan March, Madrid ______________ Concerts at Fundación Juan March: https://www.march.es/en/madrid/concerts More videos at https://canal.march.es/es/explorar/mu... Instagram:   / fundacionmarch   X:   / la_march_madrid   Facebook:   / fundacionmarch   Medium:   / fundacionjuanmarch   #IberianMusic #PierreHantai #MarchVivo