Vidushi Maya Mitra Sitar Recital Rag Des

ABOUT THE PERFORMANCE & VIDUSHI MAYA MITRA In this 28:42 Sitar Recital on Das Piya Music, Vidushi Maya Mitra (https://www.rudraveena.org/MayaMitra.... Top-Grade Sitar & Rudra Veena maestro, Ex-Prof., Rabindra Bharati Univ. (Kolkata), disciple of Sangeet Natak Akademi Awardee Ustad Muhammad Dabir Khan (1905–1972, last descendant of Miyan Tansen's Senia Gharana in Dagar & Khandarbani style) and Ustad Vilayat Khan (1928–2004, Imdadkhani Gayaki Ang), and sadhika of Sri Aurobindo Ashram (Pondicherry)—plays Rag Des (Raag Desh) with Tabla & Tanpura. Acclaimed in the US, UK, Australia, NZ, Germany & Switzerland, she unfolds Swar Alaap, Nom-Tom, 16-beat Teentaal Bandish ("Dekho sakhi barasan ko aaye badara" — Sthayi & Antara), Swar Alankar (Paltas), Drut Bandish ("Rab gun gaye re tu mana"), 3-octave Taans, Sawal-Jawab, Jhala & a 3-fold Tihai on Sam at 28:42. RAG DES (RAAG DESH) — MUSICAL & SCALE PROFILE Raag: Rag Des / Raag Desh (राग देस) — Thaat: Khamaj — Carnatic: 28th Melakarta Harikambhoji / Kedaram Western Scale (C=Sa): Ascent: C–D–F–G–B–C' (1–2–4–5–7–8) — Descent (Mixolydian): C'–Bb–A–G–F–E–D–C + Vivadi Eb(g) Swaras: Shuddha N (Aaroh) & Komal n (Avroh); Shuddha S, R, G, m, P, D. G & D Varjit in Aaroh — Jati: Audav–Sampurna Vakra Aaroh: ,N-S-R-m-P-N-Ṡ — Avroh: Ṡ-n-D-P, D-m-G-R, G-,N-S (Chalan: R-m-P-n-D-P ; m-G-R ; D-m-G-R ; G-,N-S) Pakad: R-m-P, n-D-P, D-m-G-R, G-,N-S — Vadi: R (2nd) — Samvadi: P (5th) — Nyas: S, R, m, P, N, Ṡ Time: 2nd Prahar of Night (9 PM–12 AM) & Monsoon — Rasa: Shringara (yearning), Bhakti & Veer Taal: Teentaal (16 Beats: 4+4+4+4) — 1–4[X]:Dha Dhin Dhin Dha | 5–8[2]:Dha Dhin Dhin Dha | 9–12[0]:Dha Tin Tin Ta | 13–16[3]:Ta Dhin Dhin Dha = Dha [SAM] |---|---| BANDISH LYRICS, SWAR ALAAP, NOM-TOM, STHAYI, ANTARA, ALANKAR & TIHAI (00:00–28:42) SWAR ALAAP & NOM-TOM / JOD PULSE (00:00–06:20) Alaap (00:00–04:15): S ,N ,D ,P ; ,P ,N S R ~ G ,N S ; S R m, m G R ; R m P, n D P ; D m G R, G ,N S ; R m P N Ṡ ; Ṡ Ṙ n D P, D m G R, G ,N S Nom-Tom (04:16–06:20): P1: Nom–Tom–Ta–Na / Dhi–Ri–Na–Tom (,N S R m / G R G ,N S) — P2: Tey–Rey–Nom–Tom / Ta–Na–Dhi–Ri–Na–Tom (R m P N Ṡ / Ṡ n D P D m G R S) BANDISH 1 / MASITKHANI GAT (TEENTAAL — 16 BEATS): "DEKHO SAKHI BARASAN KO AAYE BADARA" (06:21–14:30) Grid: 9–12[0 Khali] | 13–16[3] | 1–4[X Sam] | 5–8[2] (Sam: Beat 1 on Re/Pa) [ STHAYI (स्थायी) & GAYAKI VISTAAR (06:21–11:15) ] Lyrics: देखो सखी बरसन को आये बदरा, रूम झूम बरसे मोरे अंगना ॥ (Dekho sakhi barasan ko aaye badara, room jhoom barase more angana) — "Behold, friend, rain clouds gather to pour gently in my courtyard." Sthayi: L1(9–16): ,N-S-R-m- | P-n-D-P- (De-kho sa-khi | ba-ra-sa-na) — L1(1–8[SAM]): m-G-R-G- | ,N-S-R-m- (ko- aa-ye- | ba-da-raa-) || L2(9–16): R-m-P-N- | Ṡ-n-D-P- (Roo-ma jhoo-ma | ba-ra-se- mo-) — L2(1–8[SAM]): D-m-G-R- | G-,N-S-R- = m/P [SAM] (re- an-ga-na | De-kho sa-khi) Vistaar (08:30–11:15): ,N S R (G)m G R ; R m P (n)D P ; m P N Ṡ, Ṡ Ṙ Ġ Ṙ Ṡ n D P ; D m (G)R, G ,N S [ ANTARA (अंतरा) & PUKAR — Upper Octave (11:16–14:30) ] Lyrics: बिजुरी चमक-चमक डरपावे, बिन पिया जियरा तरसे मोरा ॥ (Bijuri chamak-chamak darpaave, bin piya jiyara tarase mora) — "Lightning flashes and startles my heart; without my beloved, my heart yearns." Antara: L1(9–16): m-m-P-P- | N-N-Ṡ-Ṡ- (Bi-ju-ri- cha- | ma-ka cha-ma-) — L1(1–8[SAM]): Ṡ-Ṙ-Ġ-Ṙ- | Ṡ-n-D-P- (ka da-ra-paa- | ve- sa-khi-) || L2(9–16): R-m-P-N- | Ṡ-Ṙ-n-D- (Bi-na pi-yaa | ji-ya-raa ta-) — L2(1–8[SAM]): P-D-m-G- | R-G-,N-S- = R/P [SAM] (ra-se mo-raa | De-kho sa-khi) SWAR ALANKAR (PALTAS), DRUT BANDISH 2, TAANS, JHALA & TIHAI (14:31–28:42) Alankar 1 (3-Note, 14:31–16:15): Aaroh: ,NSR, SRm, RmP, mPN, PNṠ — Avroh: ṠnD, nDP, DPm, PmG, mGR, G,NS Alankar 2 (4-Note, 16:16–18:20): Aaroh: ,NSRm, SRmP, RmPN, mPNṠ — Avroh: ṠnDP, nDPm, DPmG, PmGR, mG,NS = R [SAM] Drut Bandish 2 (18:21–22:15): रब गुन गाये रे तू मना, काहे भटकत फिरे निसदिना ॥ (Rab gun gaye re tu mana, kaahe bhatkat fire nisadina) — Sthayi: R-m-P-n- | D-P-m-G- | R-G-,N-S- | R-m-P-N- — Antara: m-P-N-Ṡ- | Ṡ-Ṙ-n-D- | P-D-m-G- | R-G-,N-S- Taans & Jhala (22:16–27:55): ,NSRmPNṠṘĠṘṠnDPDmGRG,NS — Jhala: R-Ṡ-R-Ṡ | m-Ṡ-m-Ṡ | P-Ṡ-P-Ṡ | n-D-P-m-G-R-S Tihai (27:56–28:42): P1–2: [R-m-P-N-Ṡ | Ṡ-n-D-P-D-m-G-R | G-,N-S-R-Dha] x2 — P3: [R-m-P-N-Ṡ | Ṡ-n-D-P-D-m-G-R | G-,N-S] = R/S [SAM 28:42!] CHAPTERS 00:00 Swar Alaap 04:16 Nom-Tom / Jod 06:21 Bandish 1 Sthayi 08:30 Gayaki Vistaar 11:16 Bandish 1 Antara 14:31 Swar Alankar 18:21 Drut Bandish 2 22:16 3-Octave Taans 25:10 Sawal-Jawab & Jhala 27:56 3-Fold Tihai & Sam #VidushiMayaMitra #MitraSitarRecitalRagDes #RagDes #RaagDesh #SitarRecital #DasPiyaMusic daspiyamusic/‪@siddhantnahar‬