茅ヶ崎館 「二番」の部屋｜Chigasaki-kan Room 2

映画監督・小津安二郎が脚本作りの際に愛用した茅ヶ崎館「二番」の部屋。 小津安二郎監督は名コンビの野田高梧氏をはじめ、柳井隆雄氏、池田忠雄氏らとともに戦後の名作の数々をこの部屋で執筆しました。 毎年、秋の構想に始まって、翌年の春にツツジとエニシダの咲く頃の脚本脱稿まで、滞在は数ヶ月間にわたります。 脚本家と寝食をともにしながら、何気ない世間話や日々の暮らしを通じて、物語と主題が決まっていきます。 茅ヶ崎館「二番」の部屋では、『父ありき』『長屋紳士録』『風の中の牝鶏』『晩春』『宗方姉妹』『麦秋』『お茶漬けの味』 『東京物語』『早春』の脚本が執筆されました。 Chigasaki-kan is a historical ryokan beloved by Japanese famous film director Yasujiro Ozu who always used Room 2 for writing screenplays. He wrote his postwar masterpieces in Room 2 at the corner facing garden, together with his great partner, Kogo Noda, as well as Takao Yanai and Tadao Ikeda. Every year, he stayed at this quiet ryokan by the beach for several months from autumn to plot a story line until spring to complete the script watching azaleas and scotch broom in the garden blossom. Living under the same roof with his collaborators, main themes for the work was set through their casual conversation and daily living. Those masterpieces written in Room 2 are There was a Father, Record of A Tenement Gentleman, A Hen in the Wind, Late Spring, The Munekata Sisters, Early Summer, The Flavor of Green Tea over rice, Tokyo Story, and Early Spring. 茅ヶ崎館 Chigasaki-Kan http://chigasakikan.co.jp #YasujiroOzu #Chigasaki #Japan #小津安二郎