Beethoven – Moonlight Sonata, Op. 27 No. 2 | I. Adagio sostenuto
Classical Sanctum
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Beethoven – Moonlight Sonata, Op. 27 No. 2 | I. Adagio sostenuto
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Classical Sanctum
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313 просмотров · 13 дней назад
Beethoven never called it the Moonlight Sonata, and he did not think much of it.
The piece is Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2, and the title he
actually gave it was Sonata quasi una fantasia — "in the manner of a fantasy".
That is a technical instruction, not a mood. A classical sonata runs fast, slow,
fast. This one refuses: it opens with the slow movement and keeps the quick music
back until the third, so the whole work leans forward instead of settling. The
famous opening is not a first movement behaving beautifully. It is a first
movement in the wrong place.
The nickname came from someone else entirely. The poet and critic Ludwig Rellstab
used it around 1824, in a story called Theodor, comparing the first movement to
moonlight on a lake with ghostly swans. The detail everyone repeats — that the
lake was Lake Lucerne — is not even Rellstab's. That was added later by the
musicologist Wilhelm von Lenz. Beethoven never used the name.
He was not impressed by the piece either. He said to his student Carl Czerny,
about this movement: "Surely I've written better things."
And the love story is thinner than it looks. The sonata is dedicated to Countess
Giulietta Guicciardi, his pupil, and that is usually told as a romance written
into music. In fact the dedication was a last-minute decision, and the sonata was
not originally intended for her at all.
What is left, once the moonlight and the countess are taken away, is stranger and
better than the legend: a composer of thirty writing a sonata that begins where
sonatas are supposed to end up, marking it as something closer to an improvisation
than a form, and then being faintly irritated for the rest of his life that this
was the thing everyone wanted.
He wrote it in 1801. It was published on 2 August 1802 by Giovanni Cappi in
Vienna.
Czerny described the movement as "a nocturnal scene, in which a mournful ghostly
voice sounds from the distance". Berlioz called it "one of those poems that human
language does not know how to qualify".
ABOUT THIS RECORDING
A modern studio performance, used through the YouTube Audio Library. Beethoven
died in 1827, so the music is in the public domain worldwide. No restoration was
applied — this is a clean digital master, presented untouched.
SOURCES
Piano Sonata No. 14 (Beethoven) — Wikipedia. Sources the real title and opus
number, "quasi una fantasia" and the end-weighted structure, Rellstab's nickname
around 1824 in Theodor, von Lenz adding Lake Lucerne, the 1801 composition and
2 August 1802 publication by Cappi, the dedication to Giulietta Guicciardi being
a last-minute decision, Beethoven's "Surely I've written better things" to Czerny,
and the Czerny and Berlioz descriptions:
https://en.wikipedia.org/wiki/Piano_S...)
Ludwig Rellstab — Wikipedia:
https://en.wikipedia.org/wiki/Ludwig_...
Score and editions — IMSLP:
https://imslp.org/wiki/Piano_Sonata_N...)
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