Дидади, упрощенный ритм для ансамбля барабанов джембе — Изучите ритм и играйте вместе [Didadi (3:4)]
DRUM CIRCLE LOOPS
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Дидади, упрощенный ритм для ансамбля барабанов джембе — Изучите ритм и играйте вместе [Didadi (3:4)]
1 915 просмотров · 5 лет назад
DRUM CIRCLE LOOPS
8,23 тыс. подписчиков
1 915 просмотров · 5 лет назад
Learn four patterns of Didadi in 3, see how they sit in the rhythm, and play along the full groove at slow, medium, or fast pace. Open the description for quick links to each part.
00:00:00 Intro
00:00:35 Pattern - 1st Djembe
00:01:51 Pattern - 2nd Djembe
00:03:06 Pattern - 3rd Djembe
00:04:22 Pattern - Dundun & Bell
00:05:37 Drum-Along - How each line sits in the groove
00:06:42 Drum-Along - Slow
00:10:39 Drum-Along - Transition Slow to Fast
00:13:06 Drum-Along - Fast
00:18:12 Drum-Along - Transition Fast to Faster
00:20:57 Drum-Along - Faster (20 min.)
INFO:
Didadi is a rhythm of the Bamana people from South Mali. It is used for the celebration at the end of the year and honour special guests. It is an easy-to-dance rhythm where everyone is free to dance his or her own interpretation. There is a version in 3, and another in 4, with a very recognisable personality but quite different pace at similar tempo - slow in 3 and fast in 4.
PATTERNS & DRUM-ALONG:
At the beginning of the video there is an introduction and short practise of four separated drum lines that appear in the Didadi rhythm. The drum-along track follows, starting by showing how the lines sit in the groove, and then continuing with the rhythm first at slow speed, then medium, and then fast.
SPEEDING UP:
If you feel comfortable with a certain speed and would like to practise faster, you can let the rhythm help you with that. The transitions, "Slow to Medium" and "Medium to Fast", accelerate over 3-4 minutes, to slowly arrive and settle at a new, faster tempo. Just go to the end of the chapter at the tempo you're comfortable with, drum along the transition and see how you hold.
Click like if you like it, subscribe for more weekly rhythms, but most of all have fun!
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This is a simplified version of the rhythm. Solo phrases are not included, echauffements are not presented, and the Sangban and Kenkeni, if having parts in the original rhythm, are transposed to a single Djembe pattern.
Please consult some real authority's info (like Famoudou Konaté and Mamady Keïta), contrasted websites (like Paul Nas' WAP pages) or genuine teachers for accurate interpretation of this rhythm and further study.
Mamady Keita's channel: / @mamadykeïta-e7d
Paul Nas' WAP: https://www.paulnas.nl/en/wap-pages/
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