100 years ago - Alternate take instrumental jam - Mick Taylor (Goat's head soup sessions)

🛒 Download this jam! https://thesixmilliondollarguitar.ban... 😎 Patreon (videos you won't see on youtube)   / shatnershairpiece   🎸 Bandcamp (audio downloads) https://thesixmilliondollarguitar.ban... 🎁 Paypal tip: https://www.paypal.com/paypalme/6mill... 👍 Google pay tip/Apple tip/cc tip: https://busk.co/30027 ❤ Tip with 'buy me a coffee' https://www.buymeacoffee.com/RobinSpa... 👕 Shatnershairpiece t-shirts! https://www.redbubble.com/people/Robi... 🔊 Want a song request for a gift? $100 gets you an extended jam of your choice! #hot #guitar #solo #amazing #busker #shred #parkerfly #improvisation #fingerstyle #rollingstones #micktaylor Support Mick Taylor by downloading all his unreleased instrumentals on bandcamp. He makes nothing from youtube and can't even busk now due to lockdown. https://thesixmilliondollarguitar.ban... Depressed with the idea of his two hour 'Winter' solo condensed to a four minute song, Mick Taylor did not give up. In his new book ''I can't quit you baby, but I quit the Stones', Mick explains what happened during the Goat's head soup sessions in 1973. "Jagger rewrote my DNA instrumental into 'Winter' and chopped about 59 minutes of the solo. Outrageous! It was some of my best work. I was angry, and took it out in a jam session with Charlie, Bill, and Billy Preston. Billy played the one minor chord, again a glorious D, which is really all you need, and we got into it. I stomped that wah pedal like it was Mick's face. Very cathartic. After 45 minutes on the same take, Charlie had to take a piss, so I took over the drum kit for the last 15 minutes. This wasn't the only time I played drums in the Stones, but I didn't get credit for that either. Charlie had a hard time playing to esoteric chord combos like D and A, so I would usually do those tracks. The album version pales in comparison to the full unedited jam. Jagger would try to interrupt us from the console, saying he had some 'lyrics', and we would roll our eyes and say in a mock sarcastic tone, 'Of course you do.' We would continue playing until Jagger got bored and went home. It was one of the only times I felt like myself in the Stones, just letting the ideas flow as a jam band without being forced to always see Jagger's bony ass wiggling around, or worrying if Keith had fallen asleep standing up. Mick would come back hours later and yell 'Are you not finished jamming yet? You started about 100 years ago! I can jam as good as any of you!' And that's how the song got its name. I finally agreed to let Mick sing his lyrics during the jam, but he just keeps saying 'Come on, come on, come on', like a loop, for the entire hour. After we were done, Charlie was like 'What the fuck? Come on come on for an hour? I thought you had lyrics?' Now this is the best part. Charlie goes out, comes back five minutes later wearing his best suit, goes up to Jagger and really quietly, says 'Don't ever sing shit like that again and call it lyrics or jamming.' Then he punched him right in the face. I was shocked, but also happy. Mick went flying over the pool table and luckily landed softly on Billy Preston's afro. He was crying, his lip bleeding, and said 'I'm sorry! It's all I could think of. Jamming is harder than I thought.' What a prick. I don't think that was the last time Charlie decked him. Anyway, I'm glad the full jam is now coming out. But I was forced to give a song writing credit to Mick for his two words. It's not even original lyrics. The Stones had already done a song called 'Come on' in 1963, so MIck was just ripping off that song." Copyright 1973: M.Taylor/B Preston/M.Jagger