How to Connect Triads With Proper Voice Leading Part 1

Join my list and get my free Fretboard Plan: https://mailchi.mp/4f51eb313f9f/how-t... 0:00 Intro 0:57 What is voice leading 1:32 Rule No.1 4:06 Rule No. 2 5:25 Exercise on E, B, G strings 6:29 Pattern of 1 4 5 6:57 Exercise on B, G, D strings 7:36 Exercise on G, D, A strings 8:22 Exercise on D, A, E strings Learn how to connect 1–4–5 triads across the entire fretboard using proper voice leading. In this lesson, we’ll work through all four triad string sets and all three inversions so you can see how the same 1–4–5 progression is played in different areas of the neck. And you’ll learn why it’s good to stop thinking only in chord shapes and start seeing each triad as individual voices moving from one chord to the next. We’ll focus on two guiding voice-leading „rules“: • Find the nearest available notes • Don’t just move the entire triad shape in parallel Then we’ll apply those ideas to a complete C–F–G–C exercise across the fretboard, with tabs for every example. If you already know your basic triad shapes but still struggle to connect them smoothly into chord progressions, this is the next step. If the inversions still feel unfamiliar, check out my basic triad lesson here:    • Learn My Triad System And Build A Strong F...   Or read the article on my blog (with tabs): https://www.becomegreatatguitar.com/v... #GuitarLesson #GuitarTriads #VoiceLeading #GuitarTheory #Fretboard #GuitarPractice