Gorillaz - Live at Ball Arena, Denver, CO (October 18, 2026)

Gorillaz - The Mountain Tour Ball Arena, Denver, CO - 2026-10-18 Audio recorded from the audience. The video is still photos taken during the set, each shown at the moment it was taken. 00:00 Intro 1:33 The Mountain 6:13 The Happy Dictator 10:52 Tranz 13:45 Last Living Souls 17:08 Tomorrow Comes Today 20:41 19-2000 23:44 Rhinestone Eyes 28:38 O Green World 33:07 El Mañana 37:15 On Melancholy Hill 42:11 Orange County 45:58 Fire Flies 50:05 Casablanca 53:54 Delirium 58:22 Opium 1:04:12 Andromeda 1:08:53 Garage Palace (with Little Simz) 1:11:26 She's My Collar 1:15:16 Superfast Jellyfish 1:18:30 Stylo 1:23:13 Kids With Guns 1:27:58 The Sad God 1:32:20 Encore break 1:34:01 Cloud of Unknowing 1:35:53 Rock the House 1:39:54 Dirty Harry 1:44:42 Feel Good Inc. 1:49:13 Clint Eastwood 1:54:12 Bows THE SHOW Gorillaz, the virtual band created by Damon Albarn and Jamie Hewlett in 1998, on The Mountain Tour in support of their ninth studio album, The Mountain (released 27 February 2026). The fall 2026 North American leg had Deltron 3030 and Little Simz as support. Show 7:00 PM: Deltron 3030, Little Simz, then Gorillaz (recorded from about 8:49 PM to the end of the encore, about 10:45 PM) THE VENUE Ball Arena, 1000 Chopper Circle, Denver, CO 80204. Opened October 1, 1999 as the Pepsi Center and renamed Ball Arena in 2020 (naming rights: Ball Corporation). Owned by Kroenke Sports & Entertainment; home of the Denver Nuggets, Colorado Avalanche and Colorado Mammoth. Concert capacity about 21,000. THE RECORDING Audio: audience recording on a ZOOM H1essential (built-in X/Y mics), 32-bit float / 96 kHz. Mastering: 28 Hz high-pass to cut handling rumble; EQ: a gentle 2 dB bass cut below about 120 Hz and a 3 dB treble lift above about 4 kHz; light 2:1 compression; peak limiting to -11 LUFS. No noise reduction. Video: 48 photos taken from the crowd on a phone during the set, each shown at the moment it was taken (from its capture time against the recorder's clock), with slow pans and crossfades. Song titles: identified from the recording (AudD audio recognition and a speech-to-text transcript), what was on the screens in the photos, and the tour's setlists from other nights, then checked by ear by the person who recorded the show.