Soundgarden - Where the Dark Meets You ( Written buy A.I Chris Cornell + A.I Taylor Swift )

[Intro — intimate clean electric guitar with chorus and subtle tape delay, low warm bass, distant amplifier hum, slow live drum entrance, haunting nocturnal atmosphere] [Verse 1 — low, intimate male vocals, restrained and vulnerable, clean guitar arpeggios, minimal percussion] The world goes quiet when you leave There's something underneath the silence A thousand things I can't explain Still calling out your name I know the cracks beneath your skin The wars you fight, the shape you're in If all the lights went out tonight I'd find you in the dark [Pre-Chorus — bass grows warmer, distorted guitar slowly enters, vocal melody rises] If the sky comes falling down If there's nothing left around [Chorus — huge melodic grunge guitars, explosive live drums, soaring raspy male vocals, emotional sustained notes] I'll follow you into the black Through every fire, never looking back If all we have is one last night I'll hold you till the morning dies When every star has disappeared I'll still be standing somewhere near Let the whole damn world fall through I'll find my way back to you [Post-Chorus — ringing distorted guitar chords, melodic bass line, wordless vocal harmonies fading into feedback] Back to you Back to you [Verse 2 — return to intimate clean guitar, understated drums, conversational and emotionally detailed vocals] Your old coat hanging by the door Your shadow moving on the floor The little things you never say Are what I carry every day We're not the people we once knew There's nothing left we need to prove And if the years should change our names I'd know your heart the same [Pre-Chorus — rising toms, fuzzy guitar swells, vocal intensity gradually increasing] If the lights all disappear If there's nothing left but fear [Chorus — full-band grunge explosion, wide distorted guitars, soaring lead vocals, natural vocal doubles] I'll follow you into the black Through every fire, never looking back If all we have is one last night I'll hold you till the morning dies When every star has disappeared I'll still be standing somewhere near Let the whole damn world fall through I'll find my way back to you [Bridge — half-time drums, dark sustained guitar chords, bass prominent, vulnerable low-register vocals] Maybe love is just a flame That burns and leaves us changed But if I had to lose it all I'd still answer when you call [Build — drums gradually intensify, distorted guitars swell, rising vocal melody, brief pause before final chorus] [Final Chorus — maximum emotional intensity, massive grunge guitars, explosive live drums, soaring raspy high-register male vocals, layered harmonies kept rough and natural] I'll follow you into the black There's no road that leads me back If all we have is one last night I'll stay until the end of time When every star has disappeared I'll be the voice that keeps you here Let the whole damn world fall through I'll find my way back to you [Outro — drums fall away, clean guitar returns, warm bass fades, intimate final vocal with subtle natural reverb] Back to you Always back to you [Final instrumental — one distorted guitar note blooms into feedback, clean guitar arpeggio rings out, slow natural fade] 1990s grunge alternative rock, approximately 94 BPM with a slow-burning, loud-quiet dynamic; raw analog band recording, thick warm guitar mix and subtle amplifier feedback; haunting chorus-treated clean electric guitar arpeggios, unusual chord voicings, fuzzy guitar layers, massive open power chords, warm melodic bass and organic live acoustic drums; raspy male vocals in an intimate low register rising to soaring high-tenor peaks, naturally layered harmonies and a memorable melodic chorus, ‑[Mainstream pop production, ‑electropop, ‑synth-pop, ‑dance-pop, ‑EDM, ‑trap beats, ‑programmed pop drums, ‑glossy radio pop, ‑acoustic singer-songwriter production, ‑country pop, ‑Nashville country, ‑pop punk, ‑1980s hair metal, ‑glam metal, ‑power metal, ‑shred guitar solos, ‑metalcore, ‑djent, ‑death metal growls, ‑theatrical metal vocals, ‑excessive vocal tuning, ‑robotic vocals, ‑excessive synth pads, ‑orchestral soundtrack, ‑cinematic trailer music, ‑overly clean guitar tones, ‑excessive reverb, ‑overcompressed mastering, ‑cheerful upbeat pop, ‑funk grooves, ‑disco rhythms]