MGoRadio 12.5: It Jug O' Clock Somewhere

1. Minnesota Preview: Offense starts around noon Fleck and Harbaugh (no relation, pronounced Har-Bo) have been rolling their system back towards pro-style, have an old fashioned 6'5"/230 arm who doesn't run in Drake Lindsey, was getting draft hype that we do not understand. They still run the #collegecrappe offense: RPO slants, Power/Zone with huge OL, and lots of WR screens, because Javon Tracy—an excellent returner—is good at YAC. Darius Taylor is beat up, and they're without their starting C, but big-ass Greg Johnson has shifted to C and will maul. Get them in 3rd & long and we should be okay; RT Daniel Shipp is a weak spot and backup LG Jaden Ball—who never saw the field at Purdue—is hurt as well as bad. 2. Minnesota Preview: Defense& Special Teams starts around 12:20pm One step forward, one step back for a defense that's been solid but can't quite get to elite. One thing you can expect is for them to be very responsible on the edges (and for Fleck to LOSE HIS SHIT) if they don't call holding on anything that breaks outside). Best guys are a giant DE, Anthony Smith, and a giant LB, Maverick Baranowski. Alex not super impressed with their Iowa CB John Nestor but Seth is. But their other LBs are pretty good. Have some issues with their Zone defense under 2nd-year DC Danny Collins, a longtime Fleck assistant who finally got the callup after serving under all the journeymen that Fleck's brought through. Defensive line is big but moveable, and a banged up Riley Sunram at nose may be the spot to attack them. Special teams notes: Javon Tracy has been the best PR in the country this year; has two TDs and nearly had a third when he accidentally stepped OOB. Do not kick to him. Punter is an Aussie averaging 40/punt. They stole New Mexico's kicker and got him eligible for a 5th year. Until then they were going with Beckham Sunderland, whom we could have used on kickoffs. Gotta suck for him. 3. Jug Tales wsg Greg Dooley starts around 12:40pm The Professor returns to get us pumped for The Brown Jug. You know the story, but what was the context? Why was this such a big rivalry in the 1930s and '40s? I want to discuss Crisler, a former Minnesota head coach, Bernie Bierman, and the last time Michigan switched from a messy handpicked successor to a legend to an establishment oldster. 4. Iowa After Review starts around 1pm It was a very good day from Bryce, who was reading coverages, moving guys with his eyes. Beck finally dumped the Jet Motion stuff that opponents have downloaded and the run game started to move. But he's got to stick and move. Injury to Frazier meant they were heavily left-handed in the 4th quarter. Iowa's offense was in "get it OUT!" mode. Zero dropback passes that weren't on passing downs or 2MD drives. First-look passing offense that just tried to clear out or space and throw to the first read, covered or not, which resulted in nerfing the pass rush and a lot of defenders getting their hands on the ball. Middle distribution was three, Michigan extremely unlucky not to come down with at least one of those. Lauck was as advertised. What would you have done for the last play, because going man-lock was not a "let's kill this" play at a "let's kill this" moment. Featured Artist: Bump Here's another band we played with—possibly in an earlier form—for this empty battle of the bands at the I-Rock in Detroit during the 2003 Michigan-Minnesota game, which was moved to Friday night at the last minute because the Twins made the playoff. The I-Rock didn't have TVs so all the bands were crowded into someone's band van with a 9-inch black-and-white TV to watch the ending. When I saw them again it was at The Pig in 2005 and they had demos for what became Incredible Consequence. The thing that really made Bump was lead guitarist Chris Sterr, who's now touring with Billy Strings for his Heartbeat of Eternia project. Sterr's been doing an Allman Brothers cover band, and playing around Traverse City, and I'm really happy this is happening for him because if he had any ego he'd be a big deal already. When I met him he was with Bump, which was an early project Yorg Kerasiotis, a musician/filmmaker/unfortunate Sparty who's been going from one project to another in the Detroit-Ann Arbor music/arts/film scenes since the early 2000s. Bump wasn't his first project, but it's still my favorite, because they took the music seriously and nothing else. They were genre-benders, a sort of electronic funk garage that would have worked better in the 1990s Alternative scene. The album is here on Spotify; the demos I have seem to be close.