Bernie Marsden - Love That Burns
Don's Tunes
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Bernie Marsden - Love That Burns
5 739 просмотров · 17 часов назад
Don's Tunes
1,83 млн подписчиков
5 739 просмотров · 17 часов назад
Album: Green And Blues (Tribute To Peter Green) 🔹 Official Website: https://berniemarsden.com/ 🔹 Lyrics:
Would you love me tomorrow
Like you say you love me now
Would you love me, would you love me tomorrow
Like you say you love me now
When the flames of our flesh have stopped burning
And the fire of our love has cooled down
Too many times I've given too much
Baby, give me your love to me in return
Too many times I've given too much
Baby, give me your love in return
Give me your mind and your heart
Oh, but please don't leave me with a love that burns
And don't you use me as your fool
Baby, because my heart can't stand another lie
Woman never use me, don't use me as your fool
Baby, because my heart can't stand another lie
And if you can't love me tomorrow
Please leave me now in my room to cry
🟦 Born in Buckingham, England, Marsden played in several bands as a teenager before joining UFO in 1972. He served only briefly before being replaced by Michael Schenker, then joined former Jethro Tull bassist Glenn Cornick’s group Wild Turkey. Drummer Cozy Powell recruited him for his new band, Cozy Powell’s Hammer, which proved to be a short-lived project.
Marsden then joined British prog rockers Babe Ruth for two albums in 1975 and ’76. The following year, he joined Paice Ashton Lord, which featured Deep Purple drummer Ian Paice and keyboardist Jon Lord. After just one album, Malice in Wonderland, it disbanded.
Fortunately, Marsden was on the verge of his big break, when he and fellow guitarist Micky Moody met former Deep Purple vocalist David Coverdale as he was forming the blues-based rock band Whitesnake in ’78.
“Bernie was in his prime as a fiery blues rocker with an ear for melodic rock solos,” Moody said. “He loved Cream, Mountain, and Johnny Winter amongst many others. My own style initiated from the blues rock of the ’60s – Beck, Clapton and Page – but by the time I worked alongside Bernie, artists like Ry Cooder, Little Feat, and the Allman Brothers had changed my vision forever. So, we were quite different players when we merged as a twin-guitar feature – and merge we did, developing our own thing with a natural, symbiotic ease and great respect for each other. His style definitely influenced my playing, and I like to think mine touched him, too.”
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