AIWAC 26 - DAY 2

Friday 23 October 9.00-9.15am – Morning Welcome 9.15-10.50am – SESSION 1: Methodologies, Historiography and the Canon 9.15-9.35am – Ekaterina NOVIKOVA, Russian State University for the Humanities: Rethinking Sofonisba Anguissola: Historiography and the Problem of Interpreting Women Artists 9.35-9.55am – Maude BASTILLE, Université de Montréal: Reading Elisabetta Sirani’s Eurydice and Orpheus in the Underworld as Theory. Framing Women’s Visual Knowledge in Seventeenth-Century Bologna: Methodological Challenges 9.55-10.15am – Sivan MAOZ, Ben-Gurion University of the Negev: “Ugly but Gifted”: Giulia Lama and the Gendered Politics of Appearance 10.15-10.30am – Q&A 10.30-11.00am – Coffee Break 11.00-12.00pm – SESSION 2: Performance, Self-Representation, Authorship & Identity 11.00-11.20am – Sónia DUARTE, ARTIS – Lisbon Institute of Art History / NOVA:The instrument as mirror: representation and organological precision in the self-portraits of Marietta Robusti, Barbara Strozzi, and Josefa de óbidos 2 11.20-11.40am – Alan Lechusza AQUALLO, Independent scholar / artist: “Don’t Silence the Sister”: Sounding Realities of Female Native/Indigenous Hip Hop Artist 11.40-12.00pm – Adelina MODESTI, Honorary Senior Fellow in Art History and Art Curatorship, School of Culture and Communication, Melbourne University: The Nota delle pitture fatte da me Elisabetta Sirani. An early modern woman artist’s work register as a methodological research tool. 12.00-12.15pm – Q&A 12.15-2.00pm – LUNCH BREAK 2.00-3.15pm – SESSION 3: Archives, Education and Knowledge Practices 2.00-2.20pm – María Eugenia DI FRANCO, Universidad de Buenos Aires, ITHA “Julio E. Payró”: Between the Canon and the Archive: Art Education and Female Agency in Early Modern Bologna 2.20-2.40pm – Stefania BIANCANI, Centro di documentazione sulla storia delle donne artiste, Città Metropolitana di Bologna: Il “Centro di documentazione sulla storia delle donne artiste” di Bologna: un approccio metodologico storico-artistico 2.40-3.00pm – Consuelo LOLLOBRIGIDA, University of Arkansas Rome Center: Virginia da Vezzo: a methodological conoisseurship 3.00-3.15pm – Q&A 3.15 -3.45pm – Coffee Break 3.45-5.15pm - SESSION 4: Institutions, Education and Professionalisation 3.45-4.05pm – Linda PIARDI, Independent Art Historian "A CHANGING LANDSCAPE: WOMEN ARTISTS, INSTITUTIONS AND EDUCATION IN NINETEENTH CENTURY TURIN" 4.05-4.25pm - Francesca PENNA, University of Naples Federico II: From Mothers to Professional Artists: The Case of the Scuola delle Donne within the Royal Academies of Fine Arts in Italy (1842–1902) 3 4.25-4.45pm – Laura D’ANGELO, Sapienza Università di Roma / University of Arkansas Rome Center: A Workshop for Women: Maddalena Costantini and Women’s Professional Education in Post-Unification Rome 4.45-5.05 pm – Susanne MERSMANN, Independent Scholar: Women Artists’ Debates in the “Women in Professions” Section at the 1899 International Congress of Women in London 5.05 -5.15 – Q&A