Ahmet Öğüt (JUXTAPOSITIONS)
THE HEALING ARTS + JUXTAPOSITIONS
0:00 / 0:00
Ahmet Öğüt (JUXTAPOSITIONS)
102 просмотра · 2 г. назад
THE HEALING ARTS + JUXTAPOSITIONS
342 подписчика
102 просмотра · 2 г. назад
Born in Silvan, Diyarbakır, Ahmet Öğüt works across different media and has exhibited widely, with solo exhibitions in institutions including Van Abbemuseum, State of Concept Athens, Kunstverein Dresden, Kunsthal Charlottenborg, Chisenhale Gallery; Berkeley Art Museum; and Kunsthalle Basel and participated in numerous group exhibitions, including most recently the Mardin Biennial (2024); Dhaka Art Summit (2023); 17th Istanbul Biennial, Istanbul, (2022); FRONT International 2022, Cleveland Triennial for Contemporary Art, Ohio (2022) and many more. He co-represented Turkey at the 53rd Venice Biennale (2009). Öğüt was awarded the Visible Award for the Silent University (2013); the special prize of the Future Generation Art Prize, Pinchuk Art Centre, Ukraine (2012); the De Volkskrant Beeldende Kunst Prijs 2011, Netherlands. His works are in numerous collections around the world.
https://ahmetogut.com
In the summer semester 2024, the Studium Generale organized a series of hybrid lectures on the topic of contemporary cultural production at the University of the Arts Berlin. Curated and moderated by Guest Professor Lukas Feireiss, JUXTAPOSITIONS aims at a broad cross-disciplinary audience.
Against the backdrop of the accelerated proliferation of digital technologies in nearly all areas of life, the lecture series pays special attention to the impact and influence these ubiquitous media have on creative processes today and the creation and consumption of popular culture worldwide. Many forms of contemporary cultural production absorb the ever growing pool of source material made possible through these new digital conditions. In a constant revision of what is being created this digital do-it-yourself culture allows everyone in the internet to be simultaneously artist, producer, collaborator and spectator, but equally being participant, subscriber, friend, and follower. Digitization is thus also turning the art and culture industry upside down. It creates new access points, new ways of working and thinking. It also makes new forms of financing possible. But it also brings new dependencies — it changes art, cultural production and the future of work as a whole.
Production and realization: Lukas Feireiss (Guest Professor), Flóra Tálasi (Coordination), Katrin Wendel (Administration), Leon Vatter (Research Assistant), Filipe Pirl (Student Assistant)
For reasons of privacy and data protection all images of the students are cut out of the public videos.
For more information and upcoming lectures: https://www.udk-berlin.de/studium/stu...