Raag Gauri | Poorvi ThaaT | Tutorial | Jhaptal | Moumita Mitra
Moumita Mitra
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Raag Gauri | Poorvi ThaaT | Tutorial | Jhaptal | Moumita Mitra
2 055 просмотров · 1 год назад
Moumita Mitra
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2 055 просмотров · 1 год назад
Raag Gauri ( Poorvi ThaaT ) Tutorial. Chalan followed by a Jhaptal bandish.
2 versions are there .. one with only Tivra Ma and the other with both Madhyams.
Vadi Samvadi r d
ThaaT Poorvi. Time- evening (before Shree Raag)
As per Kramik Pustak Malika ( KPM), aroh avroh is somewhat like Puriya Dhanasree following phrases of Shree
,N r G m P m d N S'
S' r' N d P m G r G r S
S P - mPd m- r'NdP Shree like
Some say not to use d in Arohi but that makes Shree more prominent so that theory is not followed.
Other phrases like P G r S - ,N,d,N - ,N r G rG
are used.
The 2 madhyams are mentioned in both KPM and Ustad Ali Akbad Khan's (UAAK) notation.
In KPM, the used of shuddha Ma is like Lalit sometimes GM Mm M G rG, Poorvi like sometimes Pm GM G r G and Kalingra sometimes GMPGMGRG
Now we come to the notation of UAAK
Where the Aroh Avroh is not with ,N :
S r G m P d S'
S' N d P M G M G r G r S
S r G M G r G
The use of shuddha Ma is like the Bhairav ThaaT Gauri, resembling Kalingra.
GMPMGMGrG - GMPd PMGrG - SrGMGrG
In Uttarang d N S' not used instead PdS' or P S' or mdS' used.
Generalized chalan of Gauri (Poorvi ThaaT)
N and G are highlighted much.
,NSrG ,NrGrG mGrG
rS,N ,N,d,N GrS,N
Shree like S P- PS'- r'NdP
mGrS - PGrS
mdNS'-mPdS'-mdS'-PdS'
S'NdP-r'NdP
Use of M Kalingra like
GMPGMrG -GMPdPMPMG-PMGMGrG-SrGMGrG
Other Uses of m
,NrG mGrGrS - ,N,d,N- ,NSrG rG - SrGmGrG - mPDmG
So the features of Bhairav Thaat Gauri along with the Poorvi ThaaT Gauri with Tivra Ma are Blended.
I have also suggested the typical Gauri phrase of PdNP.
So we get shades of many Raagas- Shree Puriya Dhanasree- Kalingra
M= Shudha m= Tivra
Jhaptal bandish. Lyric from Kramik Pustak Malika, Shree chapter, recomposed by myself.
Gauri Ardhaanga Naachat
Sangeet Shankar Tripuraari
Trishul Damroonaath Vyagrambar
Ambar Gajchar Maanbar Paridhaan
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