Sequential Prophet 5/10 rev 4 | Sound Bank Demo (Patches 41 - 60) | Synth Universe

In this video I play original sounds created for the Prophet 5/10 rev 4 synthesizer. I demo patches 41 - 60 from the Synth Universe Prophet 5/10 rev 4 Sound bank: a bank of 80 patches containing a wide range of pads, strings, brass, poly synths, keys, bass, leads, tuned percussion and sines. Each patch is demonstrated first raw in mono, as output straight from the synth. For the majority of the patches I then repeat the demo but with stereo and reverb or delay applied, so you can hear the sounds more like they would be in a musical context. Please refer to the other three videos for demos of the remaining patches. The time stamps below mean you can easily access specific sounds in this video and compare MONO with STEREO. Buy this sound bank here: https://synthuniverse.sellfy.store/p/... Watch the demo of patches 1 - 20 here:    • Sequential Prophet 5/10 rev 4 | Sound Bank...   Watch the demo of patches 21-40 here:    • Sequential Prophet 5/10 rev 4 | Sound Bank...   Watch the demo of patches 61-80 here:    • Sequential Prophet 5/10 rev 4 | Sound Bank...   In the making of this video no chorus, modulation or thickening effects were used (software or hardware). The only effects used were reverb (mainly the Valhalla Vintage Verb plugin) or delay (Logic native delay plugin). No EQ was used to enhance either the low end or the high end. The Prophet 5/10 has a single mono audio output, so to create a stereo image I used old-school layering in my DAW. When I recorded each audio take, I also captured MIDI data and used this to record new tracks of the original take. Using the Vintage knob on the Prophet set at 3 means that each MIDI take has subtle differences in pitch, envelopes and filter. Panning and slight detuning of the tracks creates, to my ears, a nice rich stereo image and retains the core sound. Time stamps 00:00 Girth MONO 00:39 Girth STEREO FX 01:18 Searing Prophet MONO 01:43 Searing Prophet STEREO FX 02:07 Expressive pad MONO 03:00 Expressive pad STEREO FX 03:54 Crackly strings MONO 04:35 Crackly strings STEREO FX 05:19 Uni lead brass MONO 05:47 Uni lead brass MONO FX 06:15 Chunky bass MONO 06:47 Chunky bass MONO FX 07:20 Harmonics MONO 08:05 Harmonics STEREO FX 08:50 Shadow whistle MONO 09:28 Shadow whistle MONO FX 10:07 Poly trill MONO 10:46 Poly trill STEREO FX 11:25 Analog pad MONO 12:05 Analog pad STEREO FX 12:46 Dreamy sine MONO 13:15 Dreamy sine STEREO FX 13:45 Dark strings MONO 14:28 Dark strings STEREO FX 15:12 Detuning brass MONO 15:46 Detuning brass STEREO FX 16:22 Polymod sparkle MONO 16:40 Polymod sparkle MONO FX 16:58 Brass flute MONO 17:33 Brass flute STEREO FX 18:08 Emergence MONO 18:49 Emergence STEREO FX 19:29 Vintage synth MONO 19:53 Vintage synth STEREO FX 12:17 Unstable pad MONO 20:55 Unstable pad STEREO FX 21:33 Prophet cello MONO 22:10 Prophet cello STEREO FX 22:49 PWM strings MONO 23:21 PWM strings STEREO FX Sound Bank description The Prophet 5 is an analog synthesizer released originally in 1978 and then re-issued as rev 4 in 2020. The more time I spend with it, the more I realise why it became a classic and has been so widely used. Despite the simple user interface and the quite modest feature set by modern standards, it is capable of producing a very wide range of pleasing timbres from the pure and warm to rich, strident and complex. I am therefore excited to share the results of years playing and programming the Prophet with the 80 patches in this sound bank. I set myself quite high standards for sounds being accepted into this bank. I've aimed for sounds that are robust, usable and distinctive, with nothing too esoteric or experimental. Although the Prophet is capable of some amazing sound effects, I figured these would not be relevant to the majority of users (although I include two at the end of the bank). There are plenty of pads with different timbres from warm through to bright and sizzly. PWM (pulse width modulation) is very characteristic on the Prophet and it has been used on a number of the pads and strings. The Prophet's filters self-oscillate and track the keyboard perfectly, creating lovely warm sines that I have exploited in a number of sounds. The Poly-mod section has been used to create bells and chimes and for subtle pitch modulation to emulate brass and other instruments. Unison mode is used on a number of the patches. If you are playing a Prophet 5 then this will be monophonic. If you are playing a Prophet 10, some sounds use the polyphonic unison feature enabling you to play chords in unison mode, which can enhance the richness of the sound. All musical ideas in this video are my own and are copyright to me. There was no sponsorship or affiliation to Sequential or their products in the creation of this video. BUSINESS ENQUIRIES ONLY Contact Jim at: synthuverse@gmail.com