Gentle Fire Reimagined [First Set] @ Cafe OTO, Dalston, East London 01-03-2026

Gentle Fire Reimagined Performers: Khabat Abas: Cello | Skin Cello Steve Beresford: Piano | Amplified Objects | Electronics James Bulley: Shozyg II | Electronics Marjolaine Charbin: Piano | Contact Mics | Objects | Voice Phil Durrant: Amplified Objects | Prepared Dulcimer Stick | Electronics Ian Stonehouse: Electronics | Shozyg I Mark Wastell: Amplified Objects | Shruti Box | Spring Reverb | Contact Mics | Double Bass Tansy Spinks / electric violin, amplified objects & electronics Program First Half: 1] Horse Sings From Cloud [Pauline Oliveros] 1975 00:00 14:29 Trío Phil Durrant | Marjolaine Charbin | Mark Wastell 2] Shozyg I & II for 2 Performers [Hugh Davies] 1968 14:30 30:04 Dúo Ian Stonehouse | James Bulley 3] Playnting One (First Performance) [Tansy Spinks] 2026 30:05 44:30 Trio Khabat Abas | Steve Beresford | Tansy Spinks Gentle Fire were a 6 then 5 member group of composers / improvisers / performers based in London and Yorkshire. They were active between the years of 1968-1975 and at the time, were one of a handful of groups using electronics, self-built instruments, as well as acoustic instruments in live performance settings. The core members were Richard Bernas - piano, percussion, Hugh Davies - self-built instruments & electronics, Graham Hearn - VCS-3 synthesiser, recorder, keyboards, Stuart Jones - trumpet, ‘cello, and Michael Robinson - ‘cello, electronics. Richard Orton - tenor voice, live electronics and Patrick Harrex - violin, percussion, were also members in the early years. The group played concerts, festivals, radio broadcasts all over Europe and were involved in premiers and early performances of important pieces by Stockhausen, Cage, Wolff, Brown, Grosskopf, Ichiyanagi, Lucier, a.o. In addition, they performed Group Compositions and nearly all the members created individual works that were included in their repertoire. The chosen pieces offered considerable freedom for the performers and were often notated verbally, occasionally graphically and frequently without precise instrumentation. Core member Hugh Davies analysed live electronic music ‘as the simultaneous live electronic transformation of sounds whose sources fall into one or more of four categories’ and stated the group explored all four categories which were, sounds played on: conventional instruments (or quasi-con-ventional invented instruments); on found or adapted objects (or equivalent noise-making invented instruments); on electronic oscillators or instruments (which, like synthesizers, may incorporate their own modification devices); and sounds replayed from earlier re-cordings (which more recently would include samplers). For this concert entitled Gentle Fire Reimagined, we will acknowledge the importance of the group and respect their legacy. We do however recognise that we have different backgrounds, experiences and history. We also recognise that technology has moved on since the 1970s. So this concert will not be an authentic reproduction of their performances / recordings but will be influenced / inspired by the group’s aesthetics and range of instruments used. Having said that, we will performing some of their repertoire including Stockhausen’s text pieces and utilising graphic scores and playing some of our ‘group compositions’. We will also expand the repertoire to include text and graphic scores by Pauline Oliveros and Tansy Spinks a.o. In addition, Ian Stonehouse and James Bulley have rebuilt Hugh Davies’ Shozyg instrument. My interest and inspiration came from research but was sparked by the release of the triple album ‘Explorations (1970-1973)’ and an online article in The Wire, ‘Flame on_ Gentle Fire revisited’. The concert will feature small group performances but will end with the entire group performing a text piece. Professor Simon Emmerson will be on hand to introduce the concert. – Phil Durrant © All images and music are copyrighted to their respective owners. This video is for entertainment only, non profit. This video is intended to promote a beautiful piece of music and the art of photography or filming. It has no commercial purpose. Music and images belong to their respective owners. Absolutely no copyright infringement. If one of the copyright owners whereabouts this abuse or somehow offensive, please contact me and I delete the video.