YOKO ONO - I HAVE A WOMAN INSIDE MY SOUL / NOW OR NEVER

I have a woman inside my soul, Her eyes sombre and sad. She waves her hand to try to reach me, But I can’t hear what she says. I wish I knew what she says I wish I knew what she wants I wish I knew what she says to me I wish I knew what she means to me. I see an asphalt road inside my soul, It’s pale even in a warm summer’s day. It stretches into the mist and calls me, But I don’t know what it takes. I wish I knew what it takes I wish I knew what it gives I wish I knew what it says to me I wish I knew what it means to me. I see a tombstone inside my soul, It’s old and mossy, covered in dead leaves. It stands with an engraving on it surface, But I don’t know what it reads. I wish I knew what it reads I wish I knew what it says I wish I knew what it says to me I wish I knew what it means to me. I feel snow covering inside my soul, It’s hard and shining in shades of grey. No footsteps ever made their marks, And I don’t know when it melts. I wish I knew when it melts I wish I knew when it happens I wish I knew if it happens at all I wish I knew what it means to me. I hear a stream running inside my soul, It’s cold and clear and carries a tune. But I don’t know what it sings and tells, I don’t know where it goes. I wish I knew what it sings I wish I knew where it goes I wish I knew what it sings I wish I knew where it goes I wish I knew what it sings. from the Yoko Ono album "Approximately Infinite Universe" Yoko Ono: vocals Stan Bronstein: saxophone, flute, clarinet Richard Frank Jr: drums, percussion Daria Price: castanet. Gary Van Scyoc: bass, trumpet Adam Ippolito: piano, organ, harmonium, trumpet Wayne Gabriel: guitar Joel Nohnn (John Lennon): guitar and background vocals Produced by Yoko Ono and John Lennon Arrangement: Yoko Ono String orchestration: Ron Frangipane From the Yoko Ono album 'Approximately Infinite Universe'. Approximately Infinite Universe is a double album by Yoko Ono, released in early 1973. It represents a departure from the experimental avant-garde rock of her first two albums towards a more conventional pop/rock sound, while also dabbling in feminist rock.