Advance 魁足 Kaisoku #bujinkan #ninjutsu #martialarts
Michael Glenn
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Advance 魁足 Kaisoku #bujinkan #ninjutsu #martialarts
375 просмотров · 1 месяц назад
Michael Glenn
2,42 тыс. подписчиков
375 просмотров · 1 месяц назад
From https://www.rojodojo.com
We warmed up with 居合間合 iai maai using Gogyō no Kata.
I began class with 魁足 kaisoku. One way to consider the translation of
the name of this kata is that you enter with the lead leg. Leading with
this leg allows you to enter the space and advance against a dangerous
opponent.
The initial kick must be delivered in a particular way. It can be
along different force vectors, but the quality of it must disarm. If it
is a rising kick, you strike the point that causes the weight of the
attacker’s sword to accelerate down and wrench it from his grip. When
kicking across and away, the weight of the sword flops back against the
wrists.
After you disarm, the attacker reaches for his kodachi. You must
check his draw. but you don’t do this with the hand alone. You enter the
space with your whole body so his draw is unable to occur.
You deliver a swift strike to kasumi. Then the opponent’s own elbow
is used as a lever. This works in concert with an 大外刈 osoto gari to take
him down.
When you manipulate the elbow this way, care must be taken not to
draw the opponent’s kodachi for him. Drive it back into the hip rather
then out. The alternative is to slip your hand down to control the
tsuka. Many wonderful henka arise with the principles of juppo sessho
and kaname from this point.
Hatsumi Sensei sometimes shows this kata using 反応汎溢の十字の構 hanno
banetsu no juuji no kamae. So I explained how to use this form. Then I
added a hanbo. The stick rises up to attack kote and disarm. Then, you
simply place it on his drawing hand to check the kodachi. It can pivot
from that point to lock his shoulder and throw.
But what do you do when you evade with a later timing then you’d
prefer? Maybe the opponent was too quick, maybe you were too slow, or
maybe he just surprised you.
I shared some methods to deal with the possibility that he draws the
kodachi instead of you checking it. You occupy the dead spot of the
weapon. This is where it naturally pivots so if he tries to pivot to
cut, you just remain in this space and the blade cannot fold back on
itself.
Next, I shared a henka that reaches under to control the tsuka of the
kodachi. You press it back into the opponent’s 声 koe. Then you take the
leg to bring him down on his face. more from Gyokko Ryu: • Gyokko Ryu