DJ 호영: 괴력난신 (국악 × EDM Ver.)｜메이플스토리 - Riding on the Clouds Cover

메이플스토리 BGM - 호영: 괴력난신 MapleStory BGM - Riding on the Clouds 원곡:    • Riding on the Clouds｜메이플스토리 OST : GLORY   ___________________________________________________________ 본 영상은 넥슨 메이플스토리 IP를 활용한 비공식 2차 창작물입니다. #maplestory #괴력난신 #괴력난신브금 [Project Intent] This project boldly transforms the dynamic theme song of Hoyoung—the mischievous Anima taoist in MapleStory—into a trendy, high-energy Slap House / Deep House Gukak Hybrid EDM style. While preserving the traditional Korean bounce and chaotic magic of the original track, I infused it with heavy, addictive modern electronic basslines. By presenting Hoyoung clad in a fusion Hanbok and Gat (traditional hat) taking over a DJ booth against a Joseon Dynasty backdrop, I aimed to offer viewers an intensely stylish and witty audiovisual crossover. [Production Details] Arrangement: To seamlessly bridge traditional Korean instrumentation with heavy club soundscapes, I personally designed and executed the intricate prompt configurations specifying Slap House and Deep House subgenres from scratch. I strictly guided the AI by carefully engineering formulas that layered bouncy slap basslines and deep electronic synths directly beneath traditional string and wind riffs. To refine the sonic impact, I personally performed advanced multi-track sound balancing and low-end frequency tuning within Adobe Premiere Pro, securing a crisp, modern finish. Visuals: To achieve absolute visual synchronization with the 'Joseon DJ Party' concept, I directed a highly distinct crossover aesthetic for the artwork. I conceptualized Hoyoung dressed in a sleek fusion Hanbok and Gat while operating a DJ controller in the middle of a Joseon historical setting. I personally structured the specific prompt layouts to direct the AI design, ensuring the collision between historical Korean roots and modern club culture was captured with high visual fidelity. Final Edit: To visually anchor the energetic bounce and stage lighting of the electronic drops, I personally handled the entire post-production process in Adobe Premiere Pro. I manually engineered dynamic audio waveforms that pulse and bounce violently in sync with the heavy bass drops. From the precise orchestration of flashing strobe light effects echoing a club festival to the final timeline cuts, every editing detail was done manually by me to lock in a highly polished finish.