2026雲門舞集雙舞作《一個藍色的地方》《來》鄭宗龍早期經典重現

藍色的寂靜，廟埕的記憶 兩種聲音，一位編舞家 2026年，雲門以雙舞作呈現鄭宗龍兩部作品。《一個藍色的地方》從失眠的夜出發：長久寂靜裡，六個身影細微顫動；隨著英國作曲家約翰・塔文納的大提琴響起，藍一寸寸亮起，焦躁與孤單浮出，舞評形容其「最能表現六神無主的美感」。 《來》從廟埕起身：鑼鼓、藝陣、八家將與街聲交織成節奏，身體忽而剛猛、忽而調皮；觀眾說，看了會想起家鄉廟口的味道。深夜與白晝相照，聽見編舞家的兩種聲音。 2026雲門舞集《一個藍色的地方》《來》雙舞作 ╭━━━━━━━━━━━╮ ✨ 1/16 12:00 早鳥開賣 ✨ ╰━━━━━━━━━━━╯ 👇 早鳥 8 折優惠（至 2/9 止） https://www.opentix.life/event/200446... ●嘉義縣表演藝術中心演藝廳 4/18（六）14:30 4/19（日）14:30 ●高雄衛武營國家藝術文化中心歌劇院 4/25（六）14:30 4/26（日）14:30 ●臺北國家戲劇院 6/25（四）-6/26（五） 19:45 6/27（六）-6/28（日）14:45 4/1（三）中午12:00兩廳院會員8折啟售 4/8（三）中午12:00 全面啟售 ＿＿ Cloud Gate Dance Theatre of Taiwan Blue Hour / Beckoning A Double Bill by CHENG Tsung-lung In 2026, Cloud Gate Dance Theatre of Taiwan presents a double bill by Cheng Tsung-lung, bringing together two contrasting works that move across the threshold of night and day. Blue Hour unfolds in the quiet moments before dawn, when sleep feels close but never arrives. Six dancers hover near stillness, their bodies stirred by subtle tremors. As the cello music of British composer John Tavener emerges, deep blue light slowly fades. Time seems to slow, revealing feelings of restlessness, solitude, and thoughts that refuse to settle, described as “the most evocative expression of a mind lost in its own depths." Beckoning shifts to the open energy of a temple courtyard. Gongs and drums echo through parade rhythms, Ba Jia Jiang elements, and fragments of street life. The dancers move between strength and playfulness, precision and release, creating a scene that feels both familiar and slightly uncanny. Together, the two works reveal contrasting sides of the choreographer’s voice—one inward and suspended, the other communal and vibrant—tracing a subtle passage between stillness and movement.