ะŸะตั€ะตะนั‚ะธ ะบ ัะพะดะตั€ะถะธะผะพะผัƒ

๐—›๐—ข๐—ก๐—ฆ๐—›๐—œ๐—ฅ๐—”๐—•๐—˜ ๆœฌ่ชฟ โ—ฆ Zen Shakuhachi ็ฆช ๅฐบๅ…ซ โ—ฆ ๐—”๐—ฑ๐—ฟ๐—ถ๐—ฎ๐—ป ๐—™๐—ฟ๐—ฒ๐—ฒ๐—ฑ๐—บ๐—ฎ๐—ป โ—ฆ Transcendental Sound โ—‹ ๐—ฆ๐—ถ๐—บ๐—ฝ๐—น๐—ถ๐—ฐ๐—ถ๐˜๐˜† & ๐—•๐—ฒ๐—ฎ๐˜‚๐˜๐˜†

Adrian Freedman Music

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๐—›๐—ข๐—ก๐—ฆ๐—›๐—œ๐—ฅ๐—”๐—•๐—˜ ๆœฌ่ชฟ โ—ฆ Zen Shakuhachi ็ฆช ๅฐบๅ…ซ โ—ฆ ๐—”๐—ฑ๐—ฟ๐—ถ๐—ฎ๐—ป ๐—™๐—ฟ๐—ฒ๐—ฒ๐—ฑ๐—บ๐—ฎ๐—ป โ—ฆ Transcendental Sound โ—‹ ๐—ฆ๐—ถ๐—บ๐—ฝ๐—น๐—ถ๐—ฐ๐—ถ๐˜๐˜† & ๐—•๐—ฒ๐—ฎ๐˜‚๐˜๐˜†

207ย 161 ะฟั€ะพัะผะพั‚ั€ ยท 3 ะณะพะดะฐ ะฝะฐะทะฐะด
Adrian Freedman Music
7,23ย ั‚ั‹ั. ะฟะพะดะฟะธัั‡ะธะบะพะฒ
207ย 161 ะฟั€ะพัะผะพั‚ั€ ยท 3 ะณะพะดะฐ ะฝะฐะทะฐะด
๐—›๐—ข๐—ก๐—ฆ๐—›๐—œ๐—ฅ๐—”๐—•๐—˜ ๆœฌ่ชฟ - a musical enigma. .เณƒเฟ Share this video with a friend โ˜› ย ย ย โ€ขย ๐—›๐—ข๐—ก๐—ฆ๐—›๐—œ๐—ฅ๐—”๐—•๐—˜ย ๆœฌ่ชฟย โ—ฆย Zenย Shakuhachiย ็ฆชย ๅฐบๅ…ซย โ—ฆย ๐—”๐—ฑ๐—ฟ๐—ถ...ย ย  .เณƒเฟ Subscribe to more Shakuhachi Music โ˜› https://bit.ly/subscribe_adrianfreedman Known to all shakuhachi players as the first piece in the honkyoku ๆœฌๆ›ฒ repertoire of traditional pieces to be learned. ๐—›๐—ผ๐—ป๐˜€๐—ต๐—ถ๐—ฟ๐—ฎ๐—ฏ๐—ฒ could be called the alpha and omega of Zen shakuhachi music ็ฆช ๅฐบๅ…ซ, as it is considered both the simplest and the most difficult piece to play. Simple because it has few notes, and difficult because of the infinite potential inherent in each of those notes. In fact it is said that some of the Komลซsล ่™›็„กๅƒง monks played this piece their entire lives as part of a Buddhist practice aimed at revealing everything hidden within the music, themselves and the Universe. I myself have played this piece thousands of times over the past decades, and it still reveals new depths and appears fresh as a morning sunrise each time I play it. The name ๐—›๐—ผ๐—ป๐˜€๐—ต๐—ถ๐—ฟ๐—ฎ๐—ฏ๐—ฒ comprises two Japanese words - โ€˜Honโ€™ ๆœฌ and โ€˜Shirabeโ€™ ่ชฟ. Hon means โ€˜originalโ€™ and Shirabe can either mean โ€˜melodyโ€™ or โ€˜enquiryโ€™. This subtle layering of meaning reflects one aspect of Zen practice - enquiry into the original nature of the Self - as well as the way that music can be used to accompany this enquiry - discovering the 'Absolute Sound' ๅพนๅบ•้Ÿณ through exploration of the deeper realms of our consciousness, and then expressing and communicating this as 'One Sound Enlightenment' ไธ€้Ÿณๆˆไป. The understanding that the world evolved from sound is incorporated into the creation myths of most of the great civilisations and indigenous wisdom traditions. In this way the whole macro and micro cosmic universe can be understood as frequency vibrations, and music is the expressive form of this primal sound. In fact, each time I drop into the deepest place within myself from where the music arises, and I play the opening notes of ๐—›๐—ผ๐—ป๐˜€๐—ต๐—ถ๐—ฟ๐—ฎ๐—ฏ๐—ฒ, I feel as though I am bearing witness and participating in the birth of a new world. Such is the profound relationship I feel with this piece of music. ๐“๐จ ๐ช๐ฎ๐จ๐ญ๐ž ๐ฆ๐ฒ ๐ฌ๐ก๐š๐ค๐ฎ๐ก๐š๐œ๐ก๐ข ๐ญ๐ž๐š๐œ๐ก๐ž๐ซ, ๐ญ๐ก๐ž ๐ฅ๐š๐ญ๐ž, ๐ ๐ซ๐ž๐š๐ญ ๐˜๐จ๐ค๐จ๐ฒ๐š๐ฆ๐š ๐Š๐š๐ญ๐ฌ๐ฎ๐ฒ๐š ๐’๐ž๐ง๐ฌ๐ž๐ข: โ€The honkyoku (traditional shakuhachi music) represents an infinite source of wisdom to be tapped. The more you think and feel the depths of this music the more you realize your own depths and that of the universe. You have to investigate inside your self very seriously as a fresh living entity. The true depth of the music is far deeper than the pieces themselves. They are a way to penetrate inside something true in the depth of the being. It is not only something from the past, ancient, old things, it is a living spirit that is very deep and alive and needs to be contacted as a living, breathing thing inside yourself.โ€ Thank you to Harry Downer for the stunning video creation that accompanies this piece. ๐€๐๐ซ๐ข๐š๐ง ๐ฉ๐ฅ๐š๐ฒ๐ฌ ๐š ๐Ÿ.๐Ÿ’ ๐’๐ก๐š๐ค๐ฎ๐ก๐š๐œ๐ก๐ข ๐ฆ๐š๐๐ž ๐›๐ฒ ๐™๐ž๐ง๐ฆ๐ฎ๐ซ๐š. ๐—Ÿ๐—ถ๐—ป๐—ธ ๐˜๐—ผ ๐—บ๐˜† ๐—”๐—ฟ๐˜๐—ถ๐—ฐ๐—น๐—ฒ โ€๐—ข๐—ป ๐—ฃ๐—น๐—ฎ๐˜†๐—ถ๐—ป๐—ด ๐—”๐—ป ๐—œ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—บ๐—ฒ๐—ป๐˜ ๐—ข๐—ณ ๐—ญ๐—ฒ๐—ปโ€ https://adrianfreedman.com/articles/o... ยฐl||lยฐ ๐—ฆ๐—ต๐—ฎ๐—ธ๐˜‚๐—ต๐—ฎ๐—ฐ๐—ต๐—ถ ๐—ฆ๐—ฐ๐—ผ๐—ฟ๐—ฒ๐˜€ ยฐl||lยฐ ๐€ ๐ฌ๐ž๐ญ ๐จ๐Ÿ ๐Ÿ๐จ๐ฎ๐ซ ๐จ๐ซ๐ข๐ ๐ข๐ง๐š๐ฅ ๐œ๐จ๐ฆ๐ฉ๐จ๐ฌ๐ข๐ญ๐ข๐จ๐ง๐ฌ ๐Ÿ๐จ๐ซ ๐ฌ๐จ๐ฅ๐จ ๐ฌ๐ก๐š๐ค๐ฎ๐ก๐š๐œ๐ก๐ข ๐›๐ฒ ๐€๐๐ซ๐ข๐š๐ง ๐…๐ซ๐ž๐ž๐๐ฆ๐š๐ง. ๐Œ๐ฎ๐ฌ๐ข๐œ ๐ฌ๐œ๐จ๐ซ๐ž๐ฌ ๐œ๐ซ๐ž๐š๐ญ๐ž๐ ๐›๐ฒ ๐ญ๐ก๐ž ๐ซ๐ž๐ง๐จ๐ฐ๐ง๐ž๐ ๐…๐ฎ๐ซ๐ฎ๐ฒ๐š ๐“๐ž๐ซ๐ฎ๐จ. ๅฝก๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฎ๐˜ข๐˜บ ๐˜ฃ๐˜ฆ ๐˜ฑ๐˜ถ๐˜ณ๐˜ค๐˜ฉ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ๐˜ฅ๐˜ช๐˜ท๐˜ช๐˜ฅ๐˜ถ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ฐ๐˜ณ ๐˜ข๐˜ด ๐˜ข ๐˜ด๐˜ฆ๐˜ต, ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ: https://adrianfreedman.com/shakuhachi... ๅฝก๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ฆ ๐˜ฉ๐˜ข๐˜ด ๐˜ข๐˜ค๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ๐˜ด ๐˜ข๐˜ท๐˜ข๐˜ช๐˜ญ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ธ๐˜ข๐˜ต๐˜ค๐˜ฉ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ ๐˜ฐ๐˜ถ๐˜ต๐˜ถ๐˜ฃ๐˜ฆ. ๅฝก๐˜›๐˜ฉ๐˜ฆ ๐˜ด๐˜ค๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฎ๐˜ข๐˜บ ๐˜ฃ๐˜ฆ ๐˜ฑ๐˜ถ๐˜ณ๐˜ค๐˜ฉ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜ข๐˜ด ๐˜ฑ๐˜ข๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜ข ๐˜ฑ๐˜ข๐˜ค๐˜ฌ๐˜ข๐˜จ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฃ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ช๐˜ฏ๐˜ฅ๐˜ช๐˜ท๐˜ช๐˜ฅ๐˜ถ๐˜ข๐˜ญ ๐˜ฐ๐˜ฏ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ ๐˜ต๐˜ถ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ. ๐˜๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ธ๐˜ข๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต ๐˜ค๐˜ข๐˜ฏ ๐˜ณ๐˜ฆ๐˜ค๐˜ฆ๐˜ช๐˜ท๐˜ฆ ๐˜ฅ๐˜ช๐˜ณ๐˜ฆ๐˜ค๐˜ต ๐˜ข๐˜ด๐˜ด๐˜ช๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ญ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ฆ๐˜ด ๐˜ข๐˜ด ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ ๐˜ข๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ด๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค, ๐˜ฅ๐˜ช๐˜ณ๐˜ฆ๐˜ค๐˜ต๐˜ญ๐˜บ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ˆ๐˜ฅ๐˜ณ๐˜ช๐˜ข๐˜ฏ. ๐—œ๐—ณ ๐˜†๐—ผ๐˜‚ ๐—ฎ๐—ฟ๐—ฒ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐—ฒ๐˜€๐˜๐—ฒ๐—ฑ ๐—ถ๐—ป ๐˜๐—ต๐—ถ๐˜€ ๐—ง๐˜‚๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ฐ๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—”๐—ฑ๐—ฟ๐—ถ๐—ฎ๐—ป ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: adrian@adrianfreedman.com 00:00 Line 1 00:50 Line 2 01:36 Line 3 02:23 Line 4 03:17 Line 5 03:53 Line 6 04:52 Line 7 05:36 Line 8 06:00 Line 9 ยปยปโ€”โ€”โŸโ€”โ€”ยซยซ ๐Ÿ‡ญโ€Œ๐Ÿ‡ดโ€Œ๐Ÿ‡ฒโ€Œ๐Ÿ‡ชโ€Œ ๐Ÿ‡ตโ€Œ๐Ÿ‡ฆโ€Œ๐Ÿ‡ฌโ€Œ๐Ÿ‡ชโ€Œ: : อ€ฬ—โž› https://adrianfreedman.com ๐Ÿ‡ฎโ€Œ๐Ÿ‡นโ€Œ๐Ÿ‡บโ€Œ๐Ÿ‡ณโ€Œ๐Ÿ‡ชโ€Œ๐Ÿ‡ธโ€Œ ๐Ÿ‡ฒโ€Œ๐Ÿ‡บโ€Œ๐Ÿ‡ธโ€Œ๐Ÿ‡ฎโ€Œ๐Ÿ‡จโ€Œ: : อ€ฬ—โž› https://bit.ly/adrianfreedman ๐Ÿ‡งโ€Œ๐Ÿ‡ฆโ€Œ๐Ÿ‡ณโ€Œ๐Ÿ‡ฉโ€Œ๐Ÿ‡จโ€Œ๐Ÿ‡ฆโ€Œ๐Ÿ‡ฒโ€Œ๐Ÿ‡ตโ€Œ: : อ€ฬ—โž› https://adrianfreedman.bandcamp.com/ ๐Ÿ‡ธโ€Œ๐Ÿ‡ตโ€Œ๐Ÿ‡ดโ€Œ๐Ÿ‡นโ€Œ๐Ÿ‡ฎโ€Œ๐Ÿ‡ซโ€Œ๐Ÿ‡พโ€Œ: : อ€ฬ—โž› https://bit.ly/adrianfreedmanspotify ๐Ÿ‡ฎโ€Œ๐Ÿ‡ณโ€Œ๐Ÿ‡ธโ€Œ๐Ÿ‡ฎโ€Œ๐Ÿ‡ฌโ€Œ๐Ÿ‡ญโ€Œ๐Ÿ‡นโ€Œ ๐Ÿ‡นโ€Œ๐Ÿ‡ฎโ€Œ๐Ÿ‡ฒโ€Œ๐Ÿ‡ชโ€Œ๐Ÿ‡ทโ€Œ: : อ€ฬ—โž› https://insig.ht/OLaUNGg0F8 #shakuhachi #meditationmusic #bambooflute