《簾捲西風》・如果李清照寫的是一首巴黎香頌｜What If Li Qingzhao’s Poetry Became a Paris Chanson?

《簾捲西風》靈感來自李清照《醉花陰・薄霧濃雲愁永晝》。 一千年前，她寫下重陽時節的薄霧、黃昏、菊香、西風與相思；這一次，我想像如果這些文字走進另一個時空，遇上 1960–70 年代巴黎香頌與爵士的氣息，會變成怎樣的一首歌。 歌曲保留李清照最經典的原詞，包括： 「東籬把酒黃昏後，有暗香盈袖。」 「莫道不銷魂，簾捲西風，人比黃花瘦。」 並加入新的敘事段落，把原詞中的秋意、等待與思念延伸成一個更完整的音樂故事。 編曲刻意沒有走傳統古風，而是以 French chanson、jazz、輕柔的復古氛圍 去承接宋詞的情緒。影像亦沿著同一個方向，讓巴黎窗景、薄霧、西風、簾幕與菊花意象慢慢交疊。 不是把宋詞變成法國音樂，而是想看看—— 同一種思念，換一個時代、換一種聲音，會不會仍然動人。 Inspired by Li Qingzhao’s ci poem Zui Hua Yin (《醉花陰・薄霧濃雲愁永晝》), this song imagines a meeting between Song-dynasty poetry and the atmosphere of 1960s–70s Paris chanson. Written nearly a thousand years ago, the original poem evokes autumn mist, chrysanthemums, wine at dusk, the west wind, and the quiet ache of longing. This version keeps some of Li Qingzhao’s most famous original lines, while adding new narrative passages to expand the emotional world around them. Musically, I chose not to approach it as traditional guofeng. Instead, the arrangement leans toward French chanson and jazz, with a restrained, nostalgic atmosphere. The visual world follows the same idea: Parisian elegance gradually blending with the imagery of Song poetry — curtains in the wind, drifting mist, chrysanthemums, and evening light. What if Li Qingzhao’s poetry became a Paris chanson? That is the question behind 簾捲西風.