Jon Hassell - Broadway Boogie-Woogie
Ndeya Records
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Jon Hassell - Broadway Boogie-Woogie
1 142 просмотра · 12 дней назад
Ndeya Records
733 подписчика
1 142 просмотра · 12 дней назад
Music Is Invisible (Pentimento Volume Three) → https://ndeya.ffm.to/musicisinvisible
Original film 'Mood Mondrian' (1965) by Marie Menken courtesy of The Film-Makers' Cooperative / New American Cinema Group.
'Broadway Boogie-Woogie'
Written by Jon Hassell. Published by Warp Music Limited on behalf of Nyen Music.
Jon Hassell - trumpet, keyboards
Rick Cox - guitar, OP-1 synth, electronics
John von Seggern - bass, drums, electronics
Arnaud Mercier - live recording
Jeff Rona - studio mix and co-production
Original multitrack recordings made at St John at Hackney church, London, on 23 May 2015. Mastered by Kassian Troyer at Dubplates & Mastering. Original footage © Boiler Room
To find accompanying visuals for 'Broadway Boogie-Woogie', Ndeya worked with the Film-Makers’ Cooperative in New York to license an astonishing silent short film, Mood Mondrian, made by Marie Menken in 1965, described by the artist as "a film of a painting of a sound. Piet Mondrian's 'Broadway Boogie-Woogie' is translated into visual boogie rhythm." Training a 16mm Bolex film camera on the painting itself and deploying rapid-fire movements, Menken brings some of the energy trapped in the coloured lines of the painting to life.
Marie Menken was a groundbreaking experimental artist at a time when women were severely under-represented in such fields. She made her first film in 1945, Visual Variations on Noguchi, co-founded the Gryphon Group, and tutored Andy Warhol in the use of a handheld camera. Ndeya is very grateful to be collaborating on the use of Menken’s film with the Film-Makers’ Cooperative / New American Cinema Group, a non-profit group founded in 1961 by a group of film makers including Jonas Mekas, Jack Smith and Stan Brakhage, devoted to the collection, preservation and distribution of experimental film and media art in New York City.
℗ & © 2026 The Estate of Jon Hassell.
pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.