Hans Gál: Piano Concerto in C Major, Op 57

It is my sincere and express wish that any and all remuneration, actual or potential, that may be my due, be instead directed to all holders of copyright. Hans Gál (1890-1987) Piano Concerto in C Major, Op. 57 I. Allegro energico ma non troppo 0:00 II. Adagio 11:15 III. Allegretto vivace 21:10 Hartmut Hudezeck, piano Philharmonisches Orchester Altenburg - Gera Laurent Wagner, conductor Hans Gál was born to a Jewish family in the small village of Brunn am Gebirge, Niederösterreich, just outside Vienna. He was trained in that city at the New Vienna Conservatory where later he taught for some time. While a student he won the K. und K. (Royal and Imperial) State Prize for composition. In 1928, he won a Columbia Schubert Centenary Prize for his Sinfonietta. The next year, with the support of such important musicians as Wilhelm Furtwängler, Richard Strauss and others, he obtained the directorship of the Mainz Conservatory. Gál composed in nearly every genre and his operas, which include Der Artz der Sobeide, Die Heilige Ente and Das Lied der Nacht, were particularly popular during the 1920s. When the Nazis occupied Mainz in 1933, Gál was dismissed as director of the conservatory and his music was banned. He was forced to leave Germany and eventually emigrated to Britain, where he taught at the University of Edinburgh for many years. However, at the start of World War II the British government interned all enemy aliens, including Gál. He continued to compose whilst interned in Huyton Camp near Liverpool and Central Camp in Douglas, Isle of Man. He was not interned for long as the government soon began to release those who did not pose a threat to the allies. His style was rooted in the Austro-German musical tradition of the late 19th century, and in his early years he was influenced by Brahms. However, by the end of the First World War, he developed his own musical language. He did not embrace the Second Vienna School or twelve tone music. His later music generally is polyphonic in structure but does not eschew traditional melody.