Airteq | Meet the team

Try Airteq for free today: https://www.modartt.com/airteq What sounds can you create out of a simple organ pipe? This is the question that sparked the creativity of Juliette Chabassier, Roman Auvray and Xavier Morel, the talented team behind Airteq. Airteq is a physically modelled sound design instrument for composers and sound designers looking for organic movement, physical variability and evolving acoustic-like textures. It generates sound in real time from a physical model of air flowing through virtual pipes. In this video, Juliette, Roman and Xavier go through what makes Airteq unique: the advanced research that led to Digital Aerophone Modelling, the different kinds of sounds it can generate, and the exciting inspiration behind it. MORE VIRTUAL INSTRUMENTS Pianoteq 9: vivid, expressive, customizable https://www.modartt.com/pianoteq_over... Organteq 2: new generation of physically modelled pipe organs https://www.modartt.com/organteq_over... _____________________________________________________________________ SPECIAL THANKS We are especially grateful to Yves Rechsteiner and the team of Toulouse Les Orgues for their continued support and access to Yves' organ “l'Explorateur”. They were seminal in the creation of Airteq, and it could not have been made without them. Video excerpts courtesy of: LAM - ∂'Alembert - Sorbonne Université - CNRS    / audioacoustique   Augustin Ernoult https://who.paris.inria.fr/Augustin.E... Toulouse Les Orgues https://toulouse-les-orgues.org/ gamut inc    / @pirxpirxpirx   Mauricio Silva Orendain    / @mauriciosilvaorendain   Giulio Tosti    / @giuliotosti1140   No Noise No Reduction, collectif Freddy Morezon https://freddymorezon.org/en/producti... Yves Rechsteiner (L'Explorateur)    / @orguelexplorateur4270   _____________________________________________________________________ CHAPTERS 0:00 What is Airteq? 0:37 Not a sample library 1:12 The science of Digital Aerophone Modelling 1:50 Different pipes, different sounds 2:56 Inspired by Toulouse Les Orgues 3:34 Conclusion