Zbigniew Preisner • Trois Couleurs: Red (Bande Originale Du Film) [1994]
Ρυθμογραφία | Rythmography
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Zbigniew Preisner • Trois Couleurs: Red (Bande Originale Du Film) [1994]
18 746 просмотров · 1 год назад
Ρυθμογραφία | Rythmography
8,8 тыс. подписчиков
18 746 просмотров · 1 год назад
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👉Ακούστε περισσότερα Soundtrack εδώ : • Soundtrack
🎧Tracklist:
🔸 Marin Karmitz presents : A Trilogy by Krzysztof Kieslowski
🔸 Starring: Irène Jacob, Jean-Louis Trintignant
🔸 Music composed by Zbigniew Preisner (Except tracks 8 & 13 by Van Den Budenmayer)
00:00 | 01. Milosc Od Pierwszego Wejrzenia | Zbigniew Zamachowski
• Music: Zbigniew Preisner
• Lyrics: Wislawa Szymborska
04:28 | 02. Fashion Show I
• Music: Zbigniew Preisner
09:18 | 03. Meeting The Judge
• Music: Zbigniew Preisner
10:20 | 04. The Tapped Conversation
• Music: Zbigniew Preisner
11:40 | 05. Leaving The Judge
• Music: Zbigniew Preisner
13:31 | 06. Psychoanalysis
• Music: Zbigniew Preisner
15:39 | 07. Today Is My Birthday
• Music: Zbigniew Preisner
18:45 | 08. Do Not Take Another Man's Wife I
• Music: Van Den Budenmayer
21:15 | 09. Treason
• Music: Zbigniew Preisner
24:42 | 10. Fashion Show II
• Music: Zbigniew Preisner
26:09 | 11. Conversation At The Theatre
• Music: Zbigniew Preisner
29:57 | 12. The Rest Of The Conversation At The Theatre
• Music: Zbigniew Preisner
30:55 | 13. Do Not Take Another Man's Wife II
• Music: Van Den Budenmayer
33:44 | 14. Catastrophe
• Music: Zbigniew Preisner
34:33 | 15. Finale
• Music: Zbigniew Preisner
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NOTE ON THE ALBUM
Red is the final statement in the Three Colors series and, at the same time, Krzysztof Kieslowski's final work. It can therefore be considered a kind of film-testament.
From this point of view, the music composed by Zbigniew Preisner takes on the character of a grand finale, matching the filmmaker's vision in which misanthropy and humanism come face to face.
With its Ravelian overtones, the original soundtrack of Red is regarded as one of Preisner's major works, combining an inexorable pulse of anxiety with the lyricism of love and a touch of hope brought by the choir, especially in the Finale.
Red is also notable for the important role played by sound design. The voices of Jean-Louis Trintignant and Irène Jacob, together with the ocean of telephone conversations, become part of the film's wider soundscape.
Solitude is the leitmotif of Kieslowski's final film, and Preisner's subtle score inhabits that solitude with remarkable intensity.
For all these reasons, the music of Red represents an important culmination in Zbigniew Preisner's career and contributed to his subsequent international recognition as a distinguished film composer.
Thierry Jousse
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CREDITS
Performance
• Sinfonia Varsovia
• Conducted by: Wojciech Michniewski
Except Tracks 8 & 13:
• The Katowice Symphonic Orchestra
• Conducted by: Zdzisław Szostak
• The Philharmonic Choir Of Silesia
• Choral Director: Jan Wojtacha
Soloists
• Guitar: Janusz Strobel
• Cello: Jerzy Klocek
• Soprano — Tracks 8 & 13: Elzbieta Towarnicka
• Poem — Track 1: Wislawa Szymborska
Production & Recording
• Sound Engineer: Rafal Paczkowski
• Assistant: Leszek Kaminski
• Executive Producer: Preisner Production — Halina Laciak
• Recorded at: Studio S4, Warsaw
• Photography: Piotr Jaxa
• Artwork: A. Carter / MK2
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ARCHIVAL NOTE
The album artwork and available archival material may have been digitally enhanced, restored, cleaned or otherwise processed exclusively for presentation in a digital environment.
Every effort has been made to preserve the original information. Minor omissions or inaccuracies may nevertheless occur.
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This video is presented exclusively for archival, educational and cultural purposes, with the aim of preserving and highlighting film music and audiovisual heritage.
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